18/09/2022
The Ancient Egyptian Temple Science understood the Geometric “Codes” behind the physical world. They understood the BioGeometry® principle that “Energy into Shape = Function.” The ideal shape of a thing holds its vibrational Code. The shapes of any living thing are related to the circulation of energy inside of it, energy moving into specific patterns in the Peripheral and Central energy systems of the living thing.
The Masters of the Ancient Egyptian Temple Science discovered a fantastic secret, the archetypal code of creation. They discovered the energy code for everything in our world. They kept this code preserved and hidden (in plain sight) in their Temples.
Ancient Egypt derived its power from being a civilization whose science connected to the Spiritual archetypal level; it connected to realms beyond Time and Space. This ended with a shift in consciousness, when the culture lost connection to the archetypal code of nature (the ‘Neters’.)
Thoth grid
On the Egyptian Temple walls there was a hidden Grid pattern of 19 levels which was used to design everything illustrated on the walls. These walls depicted Initiation teachings for those in the Temple; the public never entered these Temple Initiation Centers in ancient times.
Modern Egyptologists are aware of this 19 Design Grid used in Ancient Egypt, but have no knowledge of its significance.
In the BioGeometry® Foundation Training we discuss the specific energy qualities which come from using designs based on 19. In BioGeometry® Design, because of the powerful and profound energies which the 19 creates, we only use 19 for designing spiritual locations and NOT locations the general public comes through.
The statues and illustrations created by the Ancient Egyptian Temple Science held within their forms the complete information of the Human Code. When put on a sacred power spot, the statue would radiate harmony (and resonance with the Human Spiritual Archetype) through the area. This kind of archetypal statue connects the original spiritual law and humanity. The Energy of these Statues is alive, like a living person in prayer. Huge statues of this kind on Power Spots in ancient Egypt had tremendous power.
When the knowledge of how to create these Archetypal Code statues was lost, statues became “graven images” with no internal life or function, no resonance with higher powers.
Within the flat Grid of 19 levels the Egyptian priests preserved the Design “Code” of the Human Being in the way the people were depicted on the Temple Walls. This required simplifying a 3-d pattern of Energy Points inside the body into a 2-d pattern. To be able to preserve the 3-d information when reduced to a 2-d projection on a flat wall, certain postures of the body were necessary for the figures on the wall. These are the famous postures / artistic styles we know from Ancient Egyptian art. For example, it is necessary for the majority of the body to be presented forward and flat in the picture, so that code information is not lost by an oblique perspective. This technique results in the images we are familiar with from Ancient Egypt: figures looking toward the opposite end of the picture, but with their shoulders square to the viewer and feet turned fully to the side.
This Grid of 19 Levels is unique to Ancient Egypt, because they made the cornerstone of their design the Spiritual Archetype level of all things. Other types of Grids were used for Design in other cultures: for instance the Greeks used a Grid based on the physical level and the human head, resulting a grid of 7. No part of the human body fits cleanly into the 19 grid, because it is based on the archetype and not the physical body.
Dr. Karim discovered this Code pattern over a period of many years of research, analyzing many different Statues and Temple Wall illustrations from ancient Egypt for their commonalities, and also for the empirical locations of the “BG3” energy quality which he detected on their surfaces.
Dr. Karim found that there were two different grid patterns in the human beings shown on the Temple Walls and Statues, one for Men and one for Women. Dr. Karim then found the points common to both Men and Women, to arrive at the non-gender Universal Human Archetype Pattern. It is this pattern which Dr. Karim has made available through the Human Archetype Pendant, and the BG3 Ruler.
The Human Archetype pattern on the BG3 Ruler is the same as on the Human Archetype Pendant. However because the Human Archetype Pendant is meant to be worn directly on the body, some of the points in the full Archetype pattern were taken out to reduce the intensity of the pendant to a level where most people are comfortable with it. The pattern on the BG3 Ruler is the complete pattern.
Note: the Vesica Institute imports both the Human Archetype Pendant and the BG3 Ruler from Egypt. Both the Pendant and the BG3 Ruler is available to students in the Advanced BioGeometry® training, where they are taught how to effectively use these tools.
