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12/12/2024

Sterling Holloway was a beloved American actor and voice artist, best known for his distinctive voice and charming personality. Born on January 4, 1905, in Savannah, Georgia, Holloway began his career in the entertainment industry as a stage actor. He initially performed in various theatrical productions before making his way to Hollywood in the 1920s, where he transitioned to film.
Holloway’s unique vocal quality and expressive delivery made him an ideal choice for animated characters. He is perhaps most famous for voicing the beloved character of Winnie the Pooh in Disney’s animated adaptations, starting with “Winnie the Pooh and the Honey Tree” in 1966. His gentle, whimsical portrayal of Pooh captured the hearts of audiences of all ages, and he continued to voice the character in various projects for years to come.
In addition to his work as a voice actor, Holloway appeared in numerous live-action films and television shows. He had roles in classics like “The Jungle Book,” where he voiced Kaa the snake, and “The Adventures of Ichabod and Mr. Toad.” His filmography also included appearances in live-action films such as “The Man Who Knew Too Much” and “The Three Musketeers,” showcasing his versatility as an actor.
Holloway’s career was marked by a remarkable ability to bring warmth and humor to his roles. His comedic timing and expressive facial features allowed him to excel in both serious and lighthearted performances. He often portrayed quirky, endearing characters, making him a favorite among audiences and fellow actors alike. His contributions to both animation and live-action work earned him a special place in the hearts of fans.
Despite his success, Holloway remained humble and dedicated to his craft throughout his life. He often spoke fondly of his time with Disney and the joy he found in bringing characters to life through his voice. His passion for storytelling and connection with audiences were evident in every performance, making him a cherished figure in the entertainment industry.
Sterling Holloway passed away on March 22, 1992, leaving behind a rich legacy of memorable performances. His work continues to resonate with fans, particularly through the enduring character of Winnie the Pooh, which has become a cultural icon. Holloway’s unique voice and endearing portrayals ensure that he will always be remembered as a treasured figure in the world of animation and film.

12/12/2024

A Gilded Age Gem Falls to Modernity
The William A. Clark Mansion, once a towering testament to the opulence of the Gilded Age, stood proudly at 960 Fifth Avenue in the bustling metropolis of New York City. Built in the early 20th century for the copper magnate and financier William A. Clark, the mansion was a masterpiece of architectural design, boasting intricate details and a prime location.
However, the tides of time were turning in the 1920s. The city was undergoing a rapid transformation, with a surge in demand for modern, high-rise apartment buildings. The William A. Clark Mansion, a relic of a bygone era, was no longer in keeping with the evolving tastes and needs of New York's residents.
In 1927, a mere few years after this snapshot was taken, the mansion was razed to make way for new developments. A stark reminder of the impending change was a large sign prominently displayed on the side of the building, advertising the upcoming construction of modern apartments at 960 Fifth Avenue.
This sign marked the end of an era for the mansion and symbolized the shift towards a more contemporary urban lifestyle. The new apartment buildings that would replace the mansion were part of a broader trend in New York City, where the demand for luxurious yet functional residential spaces was rapidly increasing. The demolition of the Clark Mansion and the introduction of new apartments reflected the dynamic and ever-changing nature of the city's real estate market during the Roaring Twenties.
The William A. Clark Mansion's transition from a symbol of old-world grandeur to a site for modern living encapsulates a significant moment in the history of New York City's architectural evolution. It serves as a reminder of the city's relentless pursuit of progress and its ability to adapt to the changing needs of its residents.

12/12/2024

In the 1940s, a young girl in Harlem was captured in a moment of entrepreneurial spirit as she made a sale of Beechnut chewing gum. This scene reflects the vibrant culture of Harlem during a time when street vendors and young entrepreneurs played a vital role in the community. Beechnut chewing gum was a popular product, and children often took on the responsibility of selling it to help support their families or save up for personal items. The image not only highlights the hustle and resourcefulness of the girl but also serves as a window into the daily life of Harlem's streets, bustling with activity and community interactions.
The 1940s was a dynamic decade for Harlem, marked by cultural flourishing and the emergence of significant social changes. The neighborhood was a center for African American culture, home to jazz clubs, art galleries, and literary movements. Young people, like the girl selling gum, were often seen as integral parts of this cultural landscape, contributing to the community’s economy while also engaging in the vibrant social life that characterized the area. The girl’s endeavor to sell Beechnut gum embodies the resilience of the community, as families sought ways to thrive amidst economic challenges and shifting social dynamics.
Additionally, the photograph of the Beechnut chewing gum girl serves as an important historical document, capturing a moment in time that reflects broader themes of childhood, entrepreneurship, and community in Harlem. It showcases the spirit of determination and agency among young people, illustrating how they navigated their environments to create opportunities for themselves and their families. This image invites viewers to appreciate not only the individual story of the girl but also the collective narrative of Harlem in the 1940s—a time of cultural richness and social change, where the actions of individuals contributed to the tapestry of American history.

12/12/2024

A "car-like" Lambretta
In 1953, the NSU factory in Düsseldorf, Germany, introduced the innovative "Double-Lambretta."
This unique concept was designed for young couples starting their journey together.
Initially, a couple would use a single Lambretta, a small motorcycle-like vehicle.
However, as the family grew and children arrived, the couple could purchase a second Lambretta, which would then be attached to the first, creating a compact, car-like machine capable of carrying two adults and two children.
The Double-Lambretta was an innovative solution for families looking for an affordable and practical transportation option in the post-war era.
It combined the simplicity and efficiency of the original Lambretta with the functionality needed for growing families.
With a top speed of 78kph, it offered a practical means of travel without the expense and size of a full car.
The vehicle's design emphasized fuel efficiency, using just 3.4 liters per 100 kilometers.
The Double-Lambretta was a unique and practical answer to the transportation needs of young families, offering a sense of mobility and independence that was both affordable and environmentally friendly for the time.

12/10/2024

William Powell and Myrna Loy in "Evelyn Prentice" 1934.
Directed by William K. Howard.

The neglected wife of an attorney begins a flirtation with another man, who turns out to be a gi**lo. After it appears that she shot him when he attempted to blackmail her, another woman is charged with the crime. See less

12/10/2024

Rose McClendon born on August 27, 1884 was dubbed the "Negro first lady of the dramatic stage” because of her powerful stage performances. She was born as Rosalie Virginia Scott in Greenville, South Carolina, and as a child relocated to New York City. She started acting in church plays as a child, but did not become a professional actress until she won a scholarship to the American Academy of Dramatic Arts when she was in her thirties.

Her first claim to fame came in Deep River, a "native opera with jazz", in 1926. In addition to acting, she also directed several plays at the Harlem Experimental Theatre. She appeared in the 1927 Pulitzer Prize-winning play In Abraham's Bosom by Paul Green. In 1931, she was in another Paul Green play on Broadway, The House of Connelly, which was the first production by The Group Theatre, directed by Lee Strasberg.

McClendon was a contemporary of Paul Robeson, Ethel Barrymore, Lynn Fontanne and Langston Hughes. Hughes wrote a character for her, Cora Lewis, in his 1935 historic play, Mulatto. Her talent extended to directing as well and in 1935, she co-founded with Dick Campbell, the Negro People's Theatre in Harlem. A year later McClendon died of pneumonia on July 12, 1936 at the age of 51.

After her death Campbell and his wife, Murial Rahn, founded the RoseMcClendon players in honor of her groundbreaking accomplishment

12/10/2024

George Chakiris and Rita Moreno at the post awards dinner. They both won Academy Awards for their performances in "West Side Story" (1961).

12/10/2024

In the realm of country music, few collaborations have resonated as deeply as the one between Dolly Parton, Linda Ronstadt, and Emmylou Harris. The trio, known as the "Patsy Cline of the 1970s," made waves with their groundbreaking album "Trio," released in 1987. This project marked a significant moment in music history, showcasing the power of female artists coming together to create a sound that blended their individual styles while highlighting their unique vocal harmonies. The success of the album, which included hits like "To Know Him Is to Love Him," not only topped the charts but also helped pave the way for future female collaborations in country and pop music.

12/10/2024

Jimmy at his home in the Riverside lounge at Pangbourne, where ‘Whole Lotta Love’ and ‘What Is and What Should Never Be’ were routined. There was a particular energy about that house and it was quite a catalyst for everything that went on.

“I came up with the guitar riff for “Whole Lotta Love” in the summer of ’68, on my houseboat along the Thames in Pangbourne, England. I suppose my early love for big intros by rockabilly guitarists was an inspiration, but as soon as I developed the riff, I knew it was strong enough to drive the entire song, not just open it. When I played the riff for the band in my living room several weeks later during rehearsals for our first album, the excitement was immediate and collective. We felt the riff was addictive, like a forbidden thing.”

11/17/2024

Working out for tom😂😻💖

11/17/2024

Enjoying sun😘

11/17/2024

She's happy😊

11/17/2024

Cat saving kittens😍

11/15/2024

Kitty 😍

11/15/2024

Happy cat🤗

11/11/2024

Gaming cat😂😻

11/11/2024

Kitten🤗

11/11/2024

Beautiful eyes💖

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