10/26/2024
๐๐ผ๐ฟ๐๐ฒ ๐ฑ๐ผ๐ฒ๐๐ปโ๐ ๐๐๐ผ๐ฝ ๐ผ๐ป โ๐๐ต๐ผ๐ฎโ? ๐ข๐ฟ ๐ฐ๐ฟ๐ฎ๐๐ต๐ฒ๐ ๐ผ๐ป ๐๐ต๐ฒ๐ถ๐ฟ ๐ณ๐ฟ๐ผ๐ป๐ ๐ฒ๐ป๐ฑ ๐ฎ๐ป๐ฑ ๐ฐ๐ต๐ฒ๐ฐ๐ธ๐ ๐๐ผ๐ ๐ถ๐ป๐๐ผ ๐๐ต๐ฒ ๐๐ฎ๐ฑ๐ฑ๐น๐ฒ ๐ต๐ผ๐ฟ๐ป? ๐๐ฒ๐ฟ๐ฒโ๐ ๐๐ต๐ฒ ๐บ๐ถ๐๐๐ถ๐ป๐ด ๐ถ๐ป๐ด๐ฟ๐ฒ๐ฑ๐ถ๐ฒ๐ป๐ ๐ณ๐ผ๐ฟ ๐ฏ๐ฒ๐๐๐ฒ๐ฟ, ๐บ๐ผ๐ฟ๐ฒ ๐ฏ๐ฎ๐น๐ฎ๐ป๐ฐ๐ฒ๐ฑ ๐๐๐ผ๐ฝ๐.
Itโs a common problem riders deal withโthe horse becoming front-end heavy, stiff, and unbalanced when asked to stop. Advice often boils down to "back them up" or "take the front end away." In the latter case, the exercises range from rollbacks on the fence to making the horse pivot or spin immediately after the stop; breaking the shoulders loose and eliminating that feeling of braciness against the riderโs hands.
๐ง๐ต๐ถ๐ ๐ถ๐๐ปโ๐ ๐ฏ๐ฎ๐ฑ ๐ฎ๐ฑ๐๐ถ๐ฐ๐ฒ... ๐๐จ๐ง... ๐ถ๐'๐ ๐ณ๐ฟ๐ฒ๐พ๐๐ฒ๐ป๐๐น๐ ๐บ๐ถ๐๐๐ป๐ฑ๐ฒ๐ฟ๐๐๐ผ๐ผ๐ฑ.
Iโll give an example.
Awhile back I saw a video that perfectly illustrated this misunderstanding. It was a trainer demonstrating how to correct a horse that stops heavily on the front end by turning the horse left or right to "take the front end away." She would drive the horse forward, and when it collapsed onto its front end during the stop, she'd pull it around into a cowhorse-style spin with the nose bent laterally.
At first glance, this seems logical. You're redirecting the horse's energy and getting those shoulders freed up, to address that stiffness and heaviness.
๐๐๐ ๐ต๐ฒ๐ฟ๐ฒ'๐ ๐๐ต๐ฒ ๐ฝ๐ฟ๐ผ๐ฏ๐น๐ฒ๐บ:
If the correction youโre making does not encourage engagement of the hindquarters and a committed shift of balance, then it's not addressing the root issue.
The fundamental problem isn't just stiffness in the shoulders; it's a lack of engagement in the hind end. In fact, you could make the case that the lack of hindquarter engagement is precisely WHY the horse has a bad habit of being unbalanced, stiff, and crashing forward in the first place.
When you ask your horse to stop, you want them to engage their hindquarters, coil up a bit, and get under themselves. This allows them to settle into the stop, soft and balanced. Even if you're not after a reining-style sliding stop, that engagement is crucial. It prevents those choppy, pogo-stick-slam type stops that are extremely uncomfortable for both rider and horse.
So if your correction doesn't create that engaged feelingโif it doesn't tie the cue of the stop (โ๐๐ต๐ผ๐ฎโ) to the right physical response in the horse's body (โ๐ด๐ฒ๐ ๐ฟ๐ผ๐๐ป๐ฑ ๐ฎ๐ป๐ฑ ๐ถ๐ป ๐๐ต๐ฒ ๐ด๐ฟ๐ผ๐๐ป๐ฑโ) โthen it's meaningless.
In the video I saw, the trainer was pulling the horse around in a hurried, spastic turn with no balance and sloppy mechanics. While the horse was technically moving its shoulders, it wasn't truly loading up on the hind end or shifting its balance. It was just swapping ends before trotting out again. There was no real change in the horse's body, and no understanding of what the rider was after. It wasn't balanced or engaged in the right ways.
๐ฆ๐ผ, ๐๐ต๐ฎ๐'๐ ๐๐ต๐ฒ ๐๐ผ๐น๐๐๐ถ๐ผ๐ป?
One of the core exercises I teach to intermediate and advanced level horses in my program is called "Turning Around on the Foot." The name has a double meaning. First, it involves turning the horse around its hindquarters, much like a cowhorse or cutter-style turnaround, where the horse plants its outside hind foot and pivots around it. Second, this exercise requires bending the horse's nose toward your inside footโso the horse is turning while its head is tipped inward.
But this exercise is more than just a pivot. The added bend draws the horse into the turn while encouraging softness and suppleness in the horse's body; this is controlled by the inside rein. The outside rein, meanwhile, โfollowsโ the inside rein across the horseโs neck; creating indirect pressure and encouraging the horse to โcoilโ or โload upโ into the hindquarters. It's a bit of a puzzle for the horse โ challenging it to find balance and shift its weight back, so the shoulders can lighten enough for the turn. It's not an easy maneuver, nor is it meant to be rushed. The last thing we want is a hectic, pell mell Coke bottle spin. Instead, it's a methodical process: get soft, get gathered, and smoothly bring the shoulders through while staying stacked up on the back side.
You can use "Turning Around on the Foot" as both an exercise in and of itself, and a corrective tool for other exercises. If your horse braces up or gets front-end heavy during a stop, you can capture their energy and redirect it into this kind of turn. In doing so, you're teaching engagement by associating the stop cue with the desired feeling in the horseโs body.
In my program, we build this through a specific sequence of "Stop on Whoa" exercises. You ride along on a loose rein and, without pulling back on the horse's face, give the verbal cue to stop. If the horse doesn't offer a balanced and engaged stop, you draw them into a turnaround on the foot. This effectively tells the horse, "๐ช๐ต๐ฒ๐ป ๐ ๐๐ฎ๐ '๐๐ต๐ผ๐ฎ', ๐ ๐ป๐ฒ๐ฒ๐ฑ ๐๐ผ๐ ๐๐ผ ๐ด๐ถ๐๐ฒ ๐บ๐ฒ ๐ง๐๐๐ฆ ๐ณ๐ฒ๐ฒ๐น๐ถ๐ป๐ด ๐ถ๐ป ๐๐ผ๐๐ฟ ๐ฏ๐ผ๐ฑ๐. ๐ข๐ป๐ฐ๐ฒ ๐๐ผ๐ ๐ด๐ถ๐๐ฒ ๐บ๐ฒ ๐ง๐๐๐ฆ ๐ณ๐ฒ๐ฒ๐น๐ถ๐ป๐ด, ๐๐ผ๐ ๐ด๐ฒ๐ ๐ฟ๐ฒ๐๐ ๐ฎ๐ป๐ฑ ๐ฟ๐ฒ๐น๐ถ๐ฒ๐ณ."
Through repetition, the horse begins to anticipate this and offer it sooner and sooner. They hear "whoa" and start to engage their hindquarters instantly. This is precisely the engagement we're seeking.
Once the horse starts offering that engagement, you can add light contact on the reins to provide a bit of extra security and immediacy in the stop. This builds their confidence, and before long, you have a horse that stops balanced and engaged, with a soft and loose front endโ off little to no rein pressure at all.
What's critical here is that through the mechanics of drawing the horse around with that extra bend toward your inside foot, and the way we use our reins and legs, we're encouraging softness and pliability in the head, neck, and shoulders. Initially, especially if the horse is unfamiliar with the exercise or if you're correcting a particularly out-of-control stop, you might encounter stiffness and resistance. But by staying patient and maintaining the turn without releasing pressure until the horse shifts its weight properly and relaxes, you're teaching them the correct response. The feeling that you want becomes obvious and unmistakable.
When they do soften and become more pliable, that's when you release the pressure and reward them. Over time, the horse starts to anticipate this relaxation and shift in balance; preemptively fixing many problems that riders often try to combat with harsher bits, jerking or see-sawing on the reins, and lots of backing up.
The key is that this exercise (turnaround on the foot) needs to be methodical and thoughtful. We need to encourage suppleness and relaxation while simultaneously asking for that load-up into the hindquarters.
๐๐ผ๐ป๐ฐ๐น๐๐๐ถ๐ผ๐ป
Correcting a horse that stops hard on its front end isn't just about breaking the shoulders loose. It's about creating a meaningful connection between the stop cue and committed engagement from the hindquarters. By focusing on hindquarter engagement and creating the right associations in your horse's mind and body, you'll develop a more responsive and balanced partner.
So the next time youโre on a horse that doesn't stop on "whoa" or crashes onto the front end, you'll know exactly what to doโand more importantly why you're doing it.
โ
๐๏ธ ๐ฝ๐๐๐ ๐ฟ๐ข๐๐๐โ๐