Lundahl Performance

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Lundahl Performance

Performance coaching & training that transforms. 2-year-olds to bridle horses. Foundation to finesse.
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10/26/2024

𝗛𝗼𝗿𝘀𝗲 𝗱𝗼𝗲𝘀𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗼𝗻 “𝘄𝗵𝗼𝗮”? 𝗢𝗿 𝗰𝗿𝗮𝘀𝗵𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲𝗶𝗿 𝗳𝗿𝗼𝗻𝘁 𝗲𝗻𝗱 𝗮𝗻𝗱 𝗰𝗵𝗲𝗰𝗸𝘀 𝘆𝗼𝘂 𝗶𝗻𝘁𝗼 𝘁𝗵𝗲 𝘀𝗮𝗱𝗱𝗹𝗲 𝗵𝗼𝗿𝗻? 𝗛𝗲𝗿𝗲’𝘀 𝘁𝗵𝗲 𝗺𝗶𝘀𝘀𝗶𝗻𝗴 𝗶𝗻𝗴𝗿𝗲𝗱𝗶𝗲𝗻𝘁 𝗳𝗼𝗿 𝗯𝗲𝘁𝘁𝗲𝗿, 𝗺𝗼𝗿𝗲 𝗯𝗮𝗹𝗮𝗻𝗰𝗲𝗱 𝘀𝘁𝗼𝗽𝘀.

It’s a common problem riders deal with—the horse becoming front-end heavy, stiff, and unbalanced when asked to stop. Advice often boils down to "back them up" or "take the front end away." In the latter case, the exercises range from rollbacks on the fence to making the horse pivot or spin immediately after the stop; breaking the shoulders loose and eliminating that feeling of braciness against the rider’s hands.

𝗧𝗵𝗶𝘀 𝗶𝘀𝗻’𝘁 𝗯𝗮𝗱 𝗮𝗱𝘃𝗶𝗰𝗲... 𝗕𝗨𝗧... 𝗶𝘁'𝘀 𝗳𝗿𝗲𝗾𝘂𝗲𝗻𝘁𝗹𝘆 𝗺𝗶𝘀𝘂𝗻𝗱𝗲𝗿𝘀𝘁𝗼𝗼𝗱.

I’ll give an example.

Awhile back I saw a video that perfectly illustrated this misunderstanding. It was a trainer demonstrating how to correct a horse that stops heavily on the front end by turning the horse left or right to "take the front end away." She would drive the horse forward, and when it collapsed onto its front end during the stop, she'd pull it around into a cowhorse-style spin with the nose bent laterally.

At first glance, this seems logical. You're redirecting the horse's energy and getting those shoulders freed up, to address that stiffness and heaviness.

𝗕𝘂𝘁 𝗵𝗲𝗿𝗲'𝘀 𝘁𝗵𝗲 𝗽𝗿𝗼𝗯𝗹𝗲𝗺:

If the correction you’re making does not encourage engagement of the hindquarters and a committed shift of balance, then it's not addressing the root issue.

The fundamental problem isn't just stiffness in the shoulders; it's a lack of engagement in the hind end. In fact, you could make the case that the lack of hindquarter engagement is precisely WHY the horse has a bad habit of being unbalanced, stiff, and crashing forward in the first place.

When you ask your horse to stop, you want them to engage their hindquarters, coil up a bit, and get under themselves. This allows them to settle into the stop, soft and balanced. Even if you're not after a reining-style sliding stop, that engagement is crucial. It prevents those choppy, pogo-stick-slam type stops that are extremely uncomfortable for both rider and horse.

So if your correction doesn't create that engaged feeling—if it doesn't tie the cue of the stop (“𝘄𝗵𝗼𝗮”) to the right physical response in the horse's body (“𝗴𝗲𝘁 𝗿𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗶𝗻 𝘁𝗵𝗲 𝗴𝗿𝗼𝘂𝗻𝗱”) —then it's meaningless.

In the video I saw, the trainer was pulling the horse around in a hurried, spastic turn with no balance and sloppy mechanics. While the horse was technically moving its shoulders, it wasn't truly loading up on the hind end or shifting its balance. It was just swapping ends before trotting out again. There was no real change in the horse's body, and no understanding of what the rider was after. It wasn't balanced or engaged in the right ways.

𝗦𝗼, 𝘄𝗵𝗮𝘁'𝘀 𝘁𝗵𝗲 𝘀𝗼𝗹𝘂𝘁𝗶𝗼𝗻?

One of the core exercises I teach to intermediate and advanced level horses in my program is called "Turning Around on the Foot." The name has a double meaning. First, it involves turning the horse around its hindquarters, much like a cowhorse or cutter-style turnaround, where the horse plants its outside hind foot and pivots around it. Second, this exercise requires bending the horse's nose toward your inside foot—so the horse is turning while its head is tipped inward.

But this exercise is more than just a pivot. The added bend draws the horse into the turn while encouraging softness and suppleness in the horse's body; this is controlled by the inside rein. The outside rein, meanwhile, “follows” the inside rein across the horse’s neck; creating indirect pressure and encouraging the horse to “coil” or “load up” into the hindquarters. It's a bit of a puzzle for the horse – challenging it to find balance and shift its weight back, so the shoulders can lighten enough for the turn. It's not an easy maneuver, nor is it meant to be rushed. The last thing we want is a hectic, pell mell Coke bottle spin. Instead, it's a methodical process: get soft, get gathered, and smoothly bring the shoulders through while staying stacked up on the back side.

You can use "Turning Around on the Foot" as both an exercise in and of itself, and a corrective tool for other exercises. If your horse braces up or gets front-end heavy during a stop, you can capture their energy and redirect it into this kind of turn. In doing so, you're teaching engagement by associating the stop cue with the desired feeling in the horse’s body.

In my program, we build this through a specific sequence of "Stop on Whoa" exercises. You ride along on a loose rein and, without pulling back on the horse's face, give the verbal cue to stop. If the horse doesn't offer a balanced and engaged stop, you draw them into a turnaround on the foot. This effectively tells the horse, "𝗪𝗵𝗲𝗻 𝗜 𝘀𝗮𝘆 '𝘄𝗵𝗼𝗮', 𝗜 𝗻𝗲𝗲𝗱 𝘆𝗼𝘂 𝘁𝗼 𝗴𝗶𝘃𝗲 𝗺𝗲 𝗧𝗛𝗜𝗦 𝗳𝗲𝗲𝗹𝗶𝗻𝗴 𝗶𝗻 𝘆𝗼𝘂𝗿 𝗯𝗼𝗱𝘆. 𝗢𝗻𝗰𝗲 𝘆𝗼𝘂 𝗴𝗶𝘃𝗲 𝗺𝗲 𝗧𝗛𝗜𝗦 𝗳𝗲𝗲𝗹𝗶𝗻𝗴, 𝘆𝗼𝘂 𝗴𝗲𝘁 𝗿𝗲𝘀𝘁 𝗮𝗻𝗱 𝗿𝗲𝗹𝗶𝗲𝗳."

Through repetition, the horse begins to anticipate this and offer it sooner and sooner. They hear "whoa" and start to engage their hindquarters instantly. This is precisely the engagement we're seeking.

Once the horse starts offering that engagement, you can add light contact on the reins to provide a bit of extra security and immediacy in the stop. This builds their confidence, and before long, you have a horse that stops balanced and engaged, with a soft and loose front end— off little to no rein pressure at all.

What's critical here is that through the mechanics of drawing the horse around with that extra bend toward your inside foot, and the way we use our reins and legs, we're encouraging softness and pliability in the head, neck, and shoulders. Initially, especially if the horse is unfamiliar with the exercise or if you're correcting a particularly out-of-control stop, you might encounter stiffness and resistance. But by staying patient and maintaining the turn without releasing pressure until the horse shifts its weight properly and relaxes, you're teaching them the correct response. The feeling that you want becomes obvious and unmistakable.

When they do soften and become more pliable, that's when you release the pressure and reward them. Over time, the horse starts to anticipate this relaxation and shift in balance; preemptively fixing many problems that riders often try to combat with harsher bits, jerking or see-sawing on the reins, and lots of backing up.

The key is that this exercise (turnaround on the foot) needs to be methodical and thoughtful. We need to encourage suppleness and relaxation while simultaneously asking for that load-up into the hindquarters.

𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻

Correcting a horse that stops hard on its front end isn't just about breaking the shoulders loose. It's about creating a meaningful connection between the stop cue and committed engagement from the hindquarters. By focusing on hindquarter engagement and creating the right associations in your horse's mind and body, you'll develop a more responsive and balanced partner.

So the next time you’re on a horse that doesn't stop on "whoa" or crashes onto the front end, you'll know exactly what to do—and more importantly why you're doing it.
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🖋️ 𝐽𝑎𝑘𝑒 𝐿𝑢𝑛𝑑𝑎ℎ𝑙

10/24/2024

𝗣𝗹𝗮𝗶𝗻 𝗧𝗮𝗹𝗸 𝗔𝗯𝗼𝘂𝘁 𝗕𝗶𝘁𝘀
I want to lay out a straightforward bitting system for those seeking clarity on what equipment might best suit their needs. It’s a subject I’m passionate about because it’s a source of so much doubt and confusion among horse owners. There are millions of different opinions and options, and that endless complexity around what bit to start a horse in, or what bit to move into as they advance, can be intimidating. Instead of endless complexity, I favor a simple, proven progression that reduces headache and saves you money. Let’s break it down...

𝗦𝘁𝗮𝗿𝘁 𝗦𝗶𝗺𝗽𝗹𝗲 𝗮𝗻𝗱 𝗗𝗶𝗿𝗲𝗰𝘁

In our training program, we start under saddle with a heavy emphasis on direct rein work. Think "follow your nose" and lateral flexion concepts. The cornerstone here is simplicity and directness. No leverage at all. I believe it's crucial that there's no complex pressure or mechanical advantage affecting the horse's mouth. This means using a traditional snaffle bit with a single joint—nothing fancy, just a direct connection that allows for clear communication.

Over the years, I've found that a loose ring snaffle (pictured) with a single joint is the most effective tool across a vast array of horses — well over a thousand at this point. These aren't the flimsy snaffles you might pick up at the local feed store. The ones I prefer are heavier and made of higher quality steel. The weight and quality of these bits not only makes them more durable, it has a positive impact on how the horse responds.

𝗧𝗵𝗲 𝗔𝗱𝘃𝗮𝗻𝘁𝗮𝗴𝗲 𝗼𝗳 𝗮 𝗙𝗿𝗲𝗲-𝗦𝗹𝗶𝗱𝗶𝗻𝗴 𝗥𝗶𝗻𝗴

One thing I really like is a free-sliding ring on the snaffle. This design ensures there's absolutely ZERO binding or twisting action when I apply pressure by picking up the reins. Fixed rings, like those on a D-ring snaffle, can sometimes create unintended leverage which I don’t need or want at the beginning stages of training. If I happen to be using a D-ring, I’ll often use rope reins instead of leather splits, with a small slobber strap that moves up and down on the ring when the rein is pulled; preventing any binding or leveraging action that might occur.

𝗧𝗵𝗲 𝗖𝗮𝘀𝗲 𝗳𝗼𝗿 𝗛𝗲𝗮𝘃𝗶𝗲𝗿 𝗕𝗶𝘁𝘀

Weightier snaffles (like the one pictured) seem to encourage horses, especially young ones, to hold the bit properly in their mouths. The added weight provides more substance for the horse to feel and carry, reducing behaviors like excessive chewing, chomping, or head tossing. Lightweight, cheaply made bits lack this quality. They can flop around in the horse's mouth, leading to irritation and distracted behaviors. This often leads horse owners down rabbit trails where they begin experimenting with different mouthpieces; dogbones, rollers, low port “comfort snaffles” for tongue relief…. trying to solve problems that can actually be solved through a combination of better training, better feel and timing, and a well-crafted heavier snaffle.

𝗠𝘆 𝗕𝗶𝘁 𝗣𝗿𝗼𝗴𝗿𝗲𝘀𝘀𝗶𝗼𝗻: 𝗙𝗿𝗼𝗺 𝗦𝗺𝗼𝗼𝘁𝗵 𝘁𝗼 𝗦𝗲𝘃𝗲𝗿𝗲 (𝗪𝗵𝗲𝗻 𝗡𝗲𝗰𝗲𝘀𝘀𝗮𝗿𝘆)

In my tack room, you'll find a simple progression of bits that I use depending on the horse's needs:

👉 𝗦𝗺𝗼𝗼𝘁𝗵 𝗦𝗻𝗮𝗳𝗳𝗹𝗲: This is my go-to for most horses. It's straightforward and effective for teaching and reinforcing basic cues.

👉 𝗥𝗲𝗴𝘂𝗹𝗮𝗿 𝗧𝘄𝗶𝘀𝘁 𝗦𝗻𝗮𝗳𝗳𝗹𝗲: If a horse starts leaning on the bit or developing resistance, I might step up to this. The twist adds a slight increase in pressure without being overly harsh.

👉 𝗦𝗾𝘂𝗮𝗿𝗲 𝗦𝗻𝗮𝗳𝗳𝗹𝗲: This bit has square edges instead of round, providing a more pronounced feel that discourages a horse from leaning.

For extreme cases—typically with problem horses that have ingrained bad habits—I have a 𝗧𝗵𝗶𝗻 𝗦𝗾𝘂𝗮𝗿𝗲 𝗧𝘄𝗶𝘀𝘁 (thinner than the regular twist, but NOT as thin as the twisted wire snaffles you often see in training barns) and, in the most severe situations, a 𝗖𝗼𝗿𝗸𝘀𝗰𝗿𝗲𝘄. Let me be clear: these are NOT bits I use lightly or frequently. In fact, I can count on one hand the number of times I've had to use the corkscrew in the past four years. They're tools for spot-treating serious issues, not everyday training.

𝗧𝗵𝗲 𝗘𝘁𝗵𝗶𝗰𝘀 𝗼𝗳 𝗨𝘀𝗶𝗻𝗴 𝗠𝗼𝗿𝗲 𝗦𝗲𝘃𝗲𝗿𝗲 𝗕𝗶𝘁𝘀

Using a more severe bit is a responsibility I don't take lightly. When a horse has learned to ignore or outright resist bridle pressure—usually due to previous mishandling—it becomes a safety issue. In such cases, a stronger bit can help re-establish respect for and responsiveness to the aids. But the goal is always to “get in and get out” – be effective, teach the lesson, then step back down to a milder bit once the issue is addressed.

I think where controversy arises is when people use severe bits as a shortcut, and leave them on the horse indefinitely. This approach can ruin the sensitivity in a horse's mouth over time, leading to a cycle where increasingly harsh equipment is needed to achieve the same effect. That's not fair to the horse, and it's not good horsemanship.

𝗧𝗵𝗲 "𝗡𝘂𝘁𝗰𝗿𝗮𝗰𝗸𝗲𝗿 𝗘𝗳𝗳𝗲𝗰𝘁” 𝗮𝗻𝗱 𝗢𝘁𝗵𝗲𝗿 𝗠𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴 𝗚𝗶𝗺𝗺𝗶𝗰𝗸𝘀

There's a lot of misinformation out there about bits, particularly the traditional single-jointed snaffle. Some argue that it creates a "nutcracker" effect on the horse's jaw bone or “spears” upward into the roof of the mouth. I remember being swayed by such claims early in my career. A salesperson demonstrated this by placing a snaffle over my forearm and pulling, causing discomfort. It was a persuasive, albeit misleading, demonstration.

But here's the thing: the orientation and pressure applied in that demonstration don't reflect how a snaffle bit actually works in a horse's mouth. When properly fitted and used, a single-jointed snaffle doesn't pinch the jaw or stab the palate. It's essential to understand the anatomy of the horse's mouth and the mechanics of bit pressure. Misleading demonstrations like this prey on our concerns for our horses' well-being, pushing us toward expensive equipment that may not be necessary.

I fell into that trap once, investing in a specialized bit that promised to solve all my problems. Initially, it seemed to work, but the issues soon resurfaced because the root cause wasn't the bit—it was my technique. I hadn't yet developed the skill and timing needed to communicate effectively with the horse. Changing bits was a temporary fix that didn't address the underlying training issues.

𝗧𝗵𝗲 𝗔𝗹𝗹𝘂𝗿𝗲 𝗼𝗳 𝗤𝘂𝗶𝗰𝗸 𝗙𝗶𝘅𝗲𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗜𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝗰𝗲 𝗼𝗳 𝗦𝗸𝗶𝗹𝗹

It's tempting to look for quick fixes when we encounter problems in training. Bits, being tangible and varied, often become the focus of our attention. We convince ourselves that the right piece of equipment will solve our issues. But more often than not, the solution lies in improving our skills and understanding.

I've seen trainers with tack rooms full of bits, constantly switching them out in hopes of finding the magic combination. To me, that’s a sign of someone who's run out of ideas. They’re trying to feel like they’re being productive, and are just throwing everything at the wall to see what sticks. But without addressing the fundamental training and communication between horse and rider, these efforts are largely in vain.

That's not to say experimentation is bad—on the contrary, trying different approaches can be valuable. But it's crucial to recognize when we're using equipment as a crutch rather than developing our abilities.

𝗘𝗺𝗯𝗿𝗮𝗰𝗶𝗻𝗴 𝗦𝗶𝗺𝗽𝗹𝗶𝗰𝗶𝘁𝘆 𝗮𝗻𝗱 𝗣𝗲𝗿𝘀𝗼𝗻𝗮𝗹 𝗥𝗲𝘀𝗽𝗼𝗻𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝘆

Over the years, I've pared down my collection to a handful of bits that I know work effectively across a broad spectrum of horses. My favorite everyday tools are:

👌 𝗧𝗵𝗿𝗲𝗲 𝗧𝘆𝗽𝗲𝘀 𝗼𝗳 𝗦𝗻𝗮𝗳𝗳𝗹𝗲𝘀: Smooth, regular twist, and square.

👌 𝗧𝗵𝗿𝗲𝗲 𝗧𝘆𝗽𝗲𝘀 𝗼𝗳 𝗦𝗵𝗮𝗻𝗸 𝗕𝗶𝘁𝘀: Short shank, low-port correction for transitioning; an Avila shank medium port correction; and a Jeremiah Watt “frog mouth” with roller.

This simplicity isn't just about economics—though I certainly didn't have the budget for dozens of fancy bits when I started! It’s mainly about effectiveness.

Each of the three snaffles represents a clear “step up” in the tactile difference and feel they create. There are clear enough contrasts between them, that it’s easy to decide which one is called for depending on the horse’s level of responsiveness.

Same thing with the shank bits. Aside from the short shank correction with a low square port – which is the universal bit that I use to transition every horse out of the snaffle – there’s enough tactile difference between the regular correctional and the frog mouth that it’s easy to know which one the horse will respond better to. Some horses are ready to move to the cowhorse bridle right away. Others stay in the correctional much longer before moving on.

Is there additional flexibility and experimentation allowed within this three-act structure? Of course. I have other bits that I use occasionally. But those 3 shank bits are the everyday staples. They form the core of our progression toward riding straight up in the bridle.

The bottom line is that every single horse I’ve ever put in the bridle – whether they were a reiner, cowhorse, or ranch horse – has responded extremely well to those bits after graduating from our snaffle program. The more experience I’ve gained over the years, the more I’ve concluded that the actual bit matters less than most people think it does. At that point, the horse is so well trained in a snaffle that you could probably put anything on them and get good results. The bit is just the icing on the cake, its the foundation proceeding it that makes the difference.

𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗪𝗼𝗿𝗱

I want to emphasize that this is what works for me. I'm not here to dictate that everyone must follow my exact system. Different approaches can be effective. However, be aware that while everything “works”, not everything WORKS. I encourage you to be thoughtful and critical about the equipment you use. Don't let marketing tactics or the allure of a quick fix divert you from developing your skills and understanding your horse.

It's easy to get lost in the myriad of options and opinions out there. I've been there myself, and I've learned that often the simplest solutions are the most effective. So, take the time to build a proper foundation with your horse. Focus on clear, direct communication. The bit you use is just one part of a much larger picture. I’ll sum it up by saying:

𝗕𝗶𝘁𝘀 𝗮𝗿𝗲 𝘂𝘀𝗲𝗳𝘂𝗹, 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗮𝘀 𝘂𝘀𝗲𝗳𝘂𝗹 𝗮𝘀 𝗼𝗻𝗲 𝗺𝗶𝗴𝗵𝘁 𝘁𝗵𝗶𝗻𝗸.

As a horseman, the best tools you have are your hands, your legs, and above all your brain!

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🖋️ 𝐽𝑎𝑘𝑒 𝐿𝑢𝑛𝑑𝑎ℎ𝑙

10/24/2024

𝗧𝗵𝗲 𝗙𝗼𝗿𝘄𝗮𝗿𝗱-𝗔𝗻𝗱-𝗔𝗿𝗼𝘂𝗻𝗱 𝗘𝘅𝗲𝗿𝗰𝗶𝘀𝗲
This exercise unlocks a level of responsiveness and balance that transforms everything from spins to circles, and teaches your horse how to correctly and effortlessly handle the neck rein. At the heart of it lies the concept of “compression”, a term I use to describe the essence of true collection and engagement on a finished bridle horse.

𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗖𝗼𝗺𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻
Before diving into the exercise, it's essential to grasp what compression means in this context. Think of it as a convergence of your horse's forward energy with the guiding influence of your reins— a blending of collection and steering that results in a balanced, responsive horse.

What we’re really talking about here is balance and quality of movement. The horse engages its hindquarters and drives forward while simultaneously accepting and softening into the contact of the outside rein. This combination of softness and direction creates a unique feeling of “uprightness”; where the horse is not just moving forward but is poised, balanced, and ready to execute advanced movements.

𝗧𝗵𝗲 𝗜𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝗰𝗲 𝗼𝗳 𝗖𝗼𝗺𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻
Without the ability to create this feeling, riders often face common challenges:

👉 Leaning and Dive-Bombing the Shoulder: The horse drops its shoulder or dumps its weight to one side or another; leading to ugly, unbalanced turns and circles.

👉 Stiffness: The horse is heavy on the rider’s hands and ignores subtle rein cues, requiring lots of nagging corrections (“checking” their face nonstop).

👉 Lack of Impulsion: Movements lack power and engagement, making advanced maneuvers like spins or lead changes difficult.

👉 Inconsistency: The horse tenses up any time it feels rein pressure come on; instantly losing any correction or rhythm it had before the rider applied the aid. Horse has no confidence to accept the rider’s guidance.

Compression addresses these issues by ensuring that the horse's energy is channeled correctly—forward from the hindquarters and into a balanced frame that conforms and yields to the neck rein.

The Forward And Around exercise is designed to build compression in a straightforward yet effective manner. Here's how to execute it and why it's so impactful:

𝗦𝘁𝗲𝗽 𝟭: 𝗘𝘀𝘁𝗮𝗯𝗹𝗶𝘀𝗵 𝗙𝗼𝗿𝘄𝗮𝗿𝗱 𝗠𝗼𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗖𝗿𝗲𝗮𝘁𝗲 𝗮 𝗕𝗮𝗹𝗮𝗻𝗰𝗲𝗱 𝗖𝗶𝗿𝗰𝗹𝗲 𝘄𝗶𝘁𝗵 𝗩𝗲𝗿𝘁𝗶𝗰𝗮𝗹 𝗙𝗹𝗲𝘅𝗶𝗼𝗻

Guide your horse onto a circle roughly 10 to 15 feet in diameter. Continue moving forward and around on the circle, while picking up on the reins and asking the horse to soften their face vertically. The key here is to create alignment. Imagine a straight line running from your horse's nose, down the center of its spine, and out behind the hind feet. Your goal is to try and keep the horse's body straight from nose to tail, even as his feet are moving around in a circle.

𝗦𝘁𝗲𝗽 𝟮: 𝗣𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗬𝗼𝘂𝗿 𝗟𝗲𝗴𝘀 𝗖𝗼𝗿𝗿𝗲𝗰𝘁𝗹𝘆

Inside Leg Back: Position your inside leg somewhere between the middle of your horse’s belly and the rear cinch; as far back or forward as needed depending on how responsive your horse is. Your inside leg’s job is to encourage the horse’s inside hind leg to step under the body, engaging the hindquarters and eliminating hollowness.

Outside Leg Forward: Keep your outside leg right behind the front cinch. Its job is to provide direction and prevent the horse's shoulder from drifting off the circle.

The goal is to create a “push/pull” feeling where the horse is simultaneously:

- Stepping their hindquarters up off of your inside leg
- Yielding their shoulders away from your outside leg
- Staying as straight as possible from nose to tail
- Maintaining forward motion and tracking on the circle

𝗦𝘁𝗲𝗽 𝟯: 𝗗𝗼𝗻’𝘁 𝗙𝗼𝗿𝗴𝗲𝘁 𝘁𝗵𝗮𝘁 𝗬𝗼𝘂𝗿 𝗢𝘂𝘁𝘀𝗶𝗱𝗲 𝗥𝗲𝗶𝗻 𝗘𝘅𝗶𝘀𝘁𝘀
Maintain a soft but consistent contact on the outside rein—the neck rein. This is crucial. The outside rein acts as a guide, shaping the horse's energy and directing it around the circle. It's important that the horse feels actual pressure/contact on the neck rein and bit, and learns what it means and how to accept it.

𝗦𝘁𝗲𝗽 𝟰: 𝗙𝗲𝗲𝗹 𝘁𝗵𝗲 𝗖𝗼𝗺𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻
As your horse moves forward and around the circle, you'll begin to feel a gathering of energy, and a distinct sensation of balance or “uprightness” in the horse’s body. You’ll feel engagement in your horse’s hindquarters, and at the same time, a sense of lightness and ease with which they are turning their shoulders and following the circle. At the same time, the horse softens into the outside rein contact. The head and neck relax, the back lifts slightly, and there's a sense of the horse being light, responsive, and “in your hand”. Get good at creating this consistently.

𝗦𝘁𝗲𝗽 𝟱: 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻 𝗶𝗻𝘁𝗼 𝗔𝗱𝘃𝗮𝗻𝗰𝗲𝗱 𝗠𝗼𝘃𝗲𝗺𝗲𝗻𝘁𝘀
Once you’ve built this feel with your horse and can create it consistently, you can use it as a starting point and a refinement tool for advanced maneuvers:

👉 Spins: These become smoother and more controlled. The horse learns how to start the turn with more optimal mechanics and maintain a more balanced position themselves.

👉 Lead Changes: The horse allows the rider to have more refined control over their balance while maintaining forward motion, making lead departures and flying changes far easier.

👉 Circles and Steering: The horse circles and guides effortlessly (especially one-handed) while maintaining balance and impulsion; eliminating leaning, drifting and shoulder dropping. The horse becomes easier and more fun to communicate with because they’re engaged and accepting the rider’s signal, instead of ducking and hiding or resisting bridle pressure.

𝗔𝗻𝗮𝗹𝗼𝗴𝗶𝗲𝘀 𝘁𝗼 𝗗𝗲𝗲𝗽𝗲𝗻 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴
Sometimes, drawing parallels to stuff outside of horse training can help clarify things. Here are some analogies I use to describe the elements of “compression”:

👉 Impulsion – Like Torque in a Pickup Truck
Torque is not about speed but leverage – the power being generated to move effectively. A horse moves more effectively when it is collected; engaging its hindquarters, shifting his center of gravity and driving forward to meet the contact being applied to the bit. Speed is irrelevant. What matters here is impulsion; generating collection and lift.

👉 Direction – Like Hitting a Line Drive
Imagine you’re playing baseball or softball, and trying to swing the bat in such a manner that you hit a line drive straight up the middle of the field. To do this, you can’t just spin on your heel and twirl the bat really fast in a circle. Pulling off the ball results in a misdirected hit. You have to channel that rotational power in a more linear direction. Just like in horse training– it’s about aligning and channeling movement and energy in a particular way.

👉 Convergence – The Opposite of the "X-Factor" in Golf
In golf instruction, the X-Factor refers to the stretch or separation between the rotation of the hips and the rotation of the shoulders to generate power in the swing. When looking at an overhead photo of a golfer mid-swing, a line drawn through their shoulders and another line drawn through their hips will make an “X”. In horse training, when looking at an overhead view of a horse in the middle of a turn, a line representing the horse’s direction and a line representing the orientation of the neck rein pressure will also make an “X”. But unlike in golf, these forces are converging rather than separating.

𝗔𝗽𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗵𝗲 𝗘𝘅𝗲𝗿𝗰𝗶𝘀𝗲 𝗔𝗰𝗿𝗼𝘀𝘀 𝗔𝗹𝗹 𝟯 𝗚𝗮𝗶𝘁𝘀
The Forward And Around exercise isn't just for teaching spins. And it’s not limited to the walk. As your horse becomes more adept, you can practice creating the same feel at a trot and lope. When your horse is really good two-handed, do the same exercise one-handed. Boom, you’re riding straight up in the bridle!

𝗕𝗲𝘆𝗼𝗻𝗱 𝘁𝗵𝗲 𝗘𝘅𝗲𝗿𝗰𝗶𝘀𝗲: 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴 𝗮 𝗠𝗲𝗻𝘁𝗮𝗹 𝗠𝗼𝗱𝗲𝗹
Understanding the idea of compression and the principles behind the Forward And Around exercise equips you with a mental model to diagnose and address tons of common challenges that intermediate and advanced riders face. When you recognize how certain movement patterns stimulate engagement, balance, and responsiveness in the horse – and you can create them consistently and on purpose – you’ve taken a big step toward mastery and made the connection between you and your horse much more seamless.

𝗙𝗶𝗻𝗮𝗹 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀
Forward And Around is more than just a building block for certain maneuvers; it’s a concept that integrates into every aspect of your riding. This exercise helps you build and reinforce feelings of responsiveness and self-carriage that engage your horse’s mind and teach them to move with greater efficiency and purpose.

Above all, it helps you create the signature feel of compression that in my opinion is the "holy grail" of bridle horse training.

‎

🖋️ 𝐽𝑎𝑘𝑒 𝐿𝑢𝑛𝑑𝑎ℎ𝑙

10/12/2024

𝗕𝗲𝗶𝗻𝗴 "𝗢𝗻 𝗣𝘂𝗿𝗽𝗼𝘀𝗲"

I was listening to a podcast the other day when a former Major League baseball player, now a coach, said something that struck a chord with me. As many of you know, I often draw parallels between sports and horsemanship, and this was no exception. He was leading a clinic for young players and posed a simple question to the group:

"How many of you actually enjoy practice? How many of you enjoy doing drills? How many of you enjoy taking ground balls?"

Nearly every hand shot up.

"Really? You're all being serious right now?" he challenged. "Because when I was your age, I hated practice. Absolutely hated it. I'm willing to bet a lot of you raised your hands because you felt like that's the answer I wanted to hear. You're trying to show how dedicated you are or trying to fit in with the group. But those aren't the right reasons to put your hand up, and they're certainly not the right reasons to show up to practice in the first place. Let's be real—practice sucks. It's a grind. But as I got older, I realized two things. First, my competitive edge came from embracing that grind. And second, I learned how to start practicing with intention and purpose. 𝘽𝙚 𝙤𝙣 𝙥𝙪𝙧𝙥𝙤𝙨𝙚, 𝙜𝙪𝙮𝙨. 𝙊𝙣 𝙮𝙤𝙪𝙧 𝙥𝙪𝙧𝙥𝙤𝙨𝙚."

For someone like him, not blessed with overwhelming athletic gifts, reaching the highest levels required cultivating a mental edge. He spoke about developing a feedback loop in practice, holding himself accountable, and not just going through the motions. It wasn't about swinging the bat aimlessly; it was about auditing how his body felt, analyzing his mechanics, and adhering to what worked best for him.

As his career advanced, he became comfortable making choices that served his purpose. When teams offered optional practices on Sunday afternoons, he'd assess his needs. "You know what? I'm good; I don't need to hit today," he'd say. But when he did practice, it was with clear intention. A productive batting session didn't mean blasting every ball over the fence. Instead, he might intentionally hit five ground balls to second base or pop flies into the top of the cage, preparing for a pitcher he knew he'd face. By accurately hitting the top half or bottom half of the ball, he was creating the feel he wanted to rely on during the game. He had the awareness and understanding to do that and be comfortable with it.

Onlookers who didn’t understand what he was doing might say, "That guy's failing; his batting practice sucked—all he did was pop the ball up or hit grounders." But they'd be missing the point. He was working on something specific. Building feels. Implementing a strategy. He was “on purpose”.

This conversation resonated deeply with me because it echoed a behavior pattern I grew up with in youth sports—doing things for the wrong reasons. I remember going to every practice, optional or not, just to show how dedicated I was. I'd work on drills, but I'd just be going through the motions. No specific goals, no discussions about mechanics or approach, no understanding of what I was supposed to feel or look for—just racking up physical reps without purpose.

Part of that was due to poor coaching, but a significant part was a lack of personal accountability and self-awareness. I didn't understand my tendencies or weaknesses, nor did I know what I needed to work on. If I could teleport back in time with a bit more self-esteem and confidence, I'd handle things differently. When a coach made snide comments about me missing an "optional" practice, I'd tell him to shove it. The point isn't just to show up and exist. That's not dedication; that's mindless compliance.

I see that same mentality permeating the horse world. Mindless compliance. Riders often don't know what they're about or what to look for. They're going through the motions, doing things for the wrong reasons. It's alarmingly prevalent.

At reining competitions for instance, I've witnessed riders spinning their horses 25 times in a row at max effort without stopping or hesitating— kicking, spurring, and jerking on the horse's mouth. I find myself thinking, "What are you looking for?" Not too long ago, I watched a kid at a show do this; spinning and spinning with maximum effort, pulling, kicking, jerking, spurring. At some point, you have to ask, "It doesn't get any better than that. The horse is literally giving you everything it can. What more are you trying to find?"

Curious, I observed him throughout the weekend. He'd do things like ride circles until the horse was exhausted, then stop hard 15 or 20 times in quick succession until the horse was making mistakes out of sheer fatigue. Then he'd crank on it even harder. He wasn't trying to develop a feel or practicing an approach to the maneuver; he was just drilling the same thing over and over. And he's not alone. Many riders operate this way—not thinking about what they're doing, not aiming for anything specific. They ride circles in the warm-up pen, making little insignificant jerks and pops on the reins. But they're not trying to create a particular feel or build anything meaningful. They're doing it because they see everyone else doing it. Or because someone else told them to. It's mindless. No purpose.

Here's the crux of the matter: If you're this type of rider, who can’t resist incessantly and mindlessly nitpicking; or who needs to feel your horse execute a maneuver perfectly before you enter the show arena, you have a confidence problem. This kind of behavior is rooted in insecurity and a lack of self-awareness.

When you have a better approach and a program—when you're on purpose—you’re focused on the approach, not just the maneuver. You're training the setup, the feel, the connection between you and your horse. How your horse is moving, how they feel in your hand, how they guide around, where their balance is at. Creating feels and checkpoints that bring the horse back to you mentally between maneuvers.

If your horse tends to run off in the rundowns and has shown that tendency before, don't just go fence them because that's what everyone else is doing or because you feel like you have to. Instead, focus on how your horse is loping; how they rate, how they feel in your hand, how they round a corner, their setup. Are they balanced? Leading with the hip? Mentally with you? What’s your checkpoint for that? Do you feel like you can put your hand down as you round the corner without the horse gaining speed? Or are you “riding the brake” all the way around the corner to keep the horse in check, practicing stiffness, and incentivizing the horse to run off even more? If you feel like you can’t put your hand down, why? What do you need to be feeling instead? How do you create that feeling? You might practice loping up and down the arena, getting the horse leading with the hip every time you round a corner. Two track. Hourglass drill. Who cares if it looks silly?? Do something – anything – to plant in your horse’s mind as a checkpoint for how they need to feel and carry themselves around the corner, so they anticipate THAT instead of going faster. Build feels, don’t just ride.

Or if your horse's spin is lacking, consider the first few steps when you initiate the turn. What are their tendencies? Are they too forward? Too sucked back? Where is their balance at? Does the shoulder feel energetic, light and “with” your hand? Or do you feel lag or heaviness? Are they thinking about making that first step correctly? Practice your setup and approach. If it doesn’t feel right, adding speed won’t fix anything. Slow down, get them balanced, get them moving methodically and actually listening to your hand and leg. Not rushing. You might do a couple of starts, let the horse turn slowly, then walk out. Build feels, don’t just ride.

Focus on the approach. Develop a process where you master the lead-ups to your maneuvers. Create mental checkpoints and cultivate awareness of what's happening in your body and your horse's body. That way, if things aren't lining up, you can make adjustments without incessantly drilling the maneuver itself. Your horse will thank you, and so will your sanity.

Embracing this mindset requires a shift—a commitment to being on purpose. It's about understanding that the competitive edge isn't in mindless repetition but in purposeful, intentional practice. It's in doing the dirty work, getting into the nitty-gritty, and taking a hard look at yourself. Know your tendencies and weaknesses, and practice with the intent to improve them.

Next time you're in the practice pen, ask yourself: "What am I looking for?" If you can't answer that question, reevaluate your approach. Focus on building feels, on the subtle cues and connections that make all the difference. Train the approach, not just the maneuver. In doing so, you'll not only enhance your performance but also strengthen the bond with your horse.

Don't just show up and exist. Be on purpose. On 𝙔𝙊𝙐𝙍 purpose.

‎

🖋️ 𝐽𝑎𝑘𝑒 𝐿𝑢𝑛𝑑𝑎ℎ𝑙

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Videos

Jake breaks down the five "skills that scale" — the key abilities that make great horses feel the way they do. They are the ingredients you need to achieve a more elite feel: ⚙️ Drive (ability to effortlessly create movement on command) ⚙️ Direction (ability to follow a feel, soften, and yield to pressure while relaxed) ⚙️ Coil (ability to load up and engage the hindquarters for balance) ⚙️ Collection ("True Softness", lift, driving up to and seeking/acceptance of bridle contact) ⚙️ Compression (horse guides off of, softens, and conforms to indirect rein) We call them the "Skills That Scale" because they are the fundamental abilities that help a horse transition from a simple foundation to advanced maneuvers. And we have a proven system to teach these skills in a way that promotes ease and speed of learning, retention, confidence, consistency, and the horse's mental and physical longevity. You learn that system inside our breakthrough course, "Foundations Of Excellence". This course gives you a complete roadmap to guide your horse from "foundation" to "finesse"... and achieve stunningly advanced feel, connection, control and confidence in the saddle. Want to discover the greatness in your horse? You need "Foundations Of Excellence". Get it here 👉 www.AdvancedHorsemanship.com/courses

I've always believed that my job as a horseman is to be a facilitator — to put the horse, mentally and physically, in the best possible position to accomplish the task at hand. Since I'm the one asking my horse for something, it's my responsibility to set him up for success — by putting him in a better mental and physical frame than he would otherwise adopt if left on his own. 𝗧𝗵𝗶𝘀 𝗶𝘀 𝗿𝗲𝗮𝗹𝗹𝘆 𝘄𝗵𝗮𝘁 𝗵𝗼𝗿𝘀𝗲𝗺𝗮𝗻𝘀𝗵𝗶𝗽 𝗶𝘀 𝗮𝗯𝗼𝘂𝘁 𝗮𝘁 𝗮𝗻 𝗮𝗱𝘃𝗮𝗻𝗰𝗲𝗱 𝗹𝗲𝘃𝗲𝗹. There's a higher level of immediacy and precision in the guidance we're giving our animals. It's about establishing a line of clear, consistent nonverbal dialogue with the horse — where he responds to cues in a relaxed and confident way without "static". What do I mean by "static"? I mean resistance — the kneejerk, negative reaction to my signal coming on — where the horse is so preoccupied with being confused, worried or offended about the pressure itself, that they aren't discerning the actual intent behind it. They lose the signal in the "noise", so to speak. Like music being drowned out by static on the radio. On one level, I'm talking about physical resistance. Like the horse being rude in the face, or heavy and stiff in the body. The kind of resistance that comes from either confusion or unwillingness to move, yield, or soften in the way the rider is asking for. On a deeper level, I'm also talking about the horse's mental understanding. Are they mentally rattled by the cue itself, or are they able to stay focused and engaged with the maneuver? Are they just responding out of a simple reflex to avoid pressure and seek instant release? Or do they have the confidence to "stay in that feeling" with me mentally and physically; allowing me to maintain that connection? That leveling-up from mere compliance into genuine partnership and trust is where ho

Need to fix something? Create a change in your horse's feet 💡 A compelling, engaging redirection of the feet (such as the “Turn On The Foot” exercise shown here) gets the horse thinking and makes the lesson stick. Tie your correction to a change in the horse's feet. It’s way more effective than simply pulling harder on their mouth.

When you tie your correction to a change in the horse’s feet, it’s way more effective than simply pulling harder on their mouth. A horse’s mind is intricately linked to their feet. So a compelling, engaging redirection of the feet (such as the “Turn On The Foot” exercise shown here) gets the horse thinking and makes the lesson stick. It also de-escalates a potential fight, encourages relaxation and softness, and actually builds a horse’s confidence to handle pressure — including correction — without getting overly worried or defensive. Tie your correction to a change in their feet 💡

TRUE SOFTNESS 🏆 A clear demonstration of what "true softness" looks and feels like. The horse accepts bridle contact and is just..... there. Not pulling on you. Not hiding either. Just there, honest, relaxed and connected. Getting the horse to this feeling is a big milestone. The horse isn't trying to avoid bridle pressure. Rather, they are comfortable settling into it and seeking that contact. Not leaning on it. Not ducking or snapping away from it. Just...... there. With you. This is the goal 🏆

The “Turn-And-Go” or “Rollbacks-On-The-Fence” exercise teaches several powerful concepts. In effect, it’s a primitive form of Fencing. But instead of loping straight down the arena and stopping at the back wall — you lope a circle in front of the fence, say “whoa” at the top of the circle, and turn into the fence at an angle. Why do we do this? Because one of the skills this exercise works on is the horse’s ability to get into his legs and create an engaged, balanced stop with his hindquarters. It ties the voice cue “whoa” to the sensation of “coil” or “loading up” on the hocks, while staying light and supple in the front end. This exercise really helps horses that are front-end heavy and stiff in the stop, or that have become defensive about bridle pressure at the lope due to poor previous training. It has numerous other benefits as well, and is an important foundational milestone in our program for any horse. By using the turn and the physical barrier of the fence to help us teach these lessons, we avoid having to crank on the horse’s mouth to “make” him stop. The fence is what challenges the horse to stop, not bridle pressure. This is CRITICAL. Where many people mess up this exercise is they focus on “making” the horse stop with the reins. Most commonly, by being way too rigid with their hands and bumping or jerking on the horse’s mouth to “help” him through the turn. By doing this, they prevent the horse from learning how to engage his hindquarters and get his balance without being cranked on… which negates the entire point of the exercise. Remember: As the rider, you’re not “making” the horse stop. You should only be thinking about the TURN. And to drive the horse through the turn, you’re using leg pressure. The rein is just there to tip the horse’s nose, and the fence is there to challenge the horse to get back through himself and help create the stop — without having to pull back on the

Teaching a Young Horse to Stop 🪄✨🐎 "Skills that scale". Teaching core concepts in a simple, low-resolution way. Not maneuvers... concepts. Ideas. Then methodically scaling up the complexity/effort to create maneuvers. Building confidence brick by brick. The result? Connection & composure even at max intensity. Quick example: The Concept = Engage your hindquarters / load up / 'get into your legs' when you hear the word "whoa". Helps you teach several maneuvers. Spin. Backup. Balanced transitions. The stop. Especially the stop. How? Use association/anticipation to connect the word "whoa" to that loading action and the horse using their hindquarters to get balanced. How? Use a modified version of the turnaround to reverse-engineer the feeling or "spot" the horse needs to get to. Once they figure out the game, they start offering it themselves. This is the foundation of a committed stop where you don't have to "pull the horse into the ground" and rely on the leverage/compression/the horse bracing against your hands to create the stop. Rather, the opposite. You've got the horse offering balance and hindquarter engagement. You're creating the stop through creating understanding of engagement and balance. You're not creating the stop by using the horse's fear of running into an invisible "wall" created by your hands and the bit. This means less tension. Less leaning. Less stiffness. Less things to fix down the road. Horse's confidence is higher. Next — Take this understanding you've built and sprinkle it into your loping program. Only when you have more "face" on them and they're more advanced/softer in the bridle, THEN begin stopping with whoa+draw on the reins. Use rein pressure to help the horse be secure in the stop. Not as a barrier to compress their body into and pull them into the ground. Ever notice how some trainers constantly have problems with horses stopping front-end-heavy, even to the point of tripping/stumbling/knuckling over on the

Yes... you CAN have it all. A horse that's as good on the trail as he is in the arena. A horse with performance handling that's soft, quiet, and controlled. A horse that's willingly and effortlessly guided. No matter where you're at right now with your horse, we'll get you where you KNOW you can and should be.

Few things are more satisfying than an effortless flying lead change where the horse stays completely relaxed. I often get comments from students who are shocked by how easy this maneuver becomes, when taught with our system. The High Level Pathway gives you the tools to figure it out, even if you've never changed leads on a horse before. Here's a complete roadmap from start to finish: ✅ Establish Direct-Rein Controls — Start by teaching the horse basic impulsion/steering/guiding (“go forward and follow your nose”) type exercises; and softening/suppling/yielding (lateral flexion, yield hindquarters and forequarters, bending, etc.) type exercises — using only DIRECT rein pressure in a snaffle bit at first. I call this “one-dimensional softness”. ✅ Start Adding Indirect Rein — In your impulsion and steering exercises (such as loping patterns, circling cones, etc.), start applying INDIRECT rein pressure and teach the horse how to follow that feel. Depending on how you’re using it, the indirect rein functions both as a steering wheel and brake — you can gauge how much pressure is needed to steer and control the horse’s front end while moving forward, or actually inhibit forward motion and “block” the horse’s shoulder — depending on the exercise. This is a crucial skill you will need later. Overall, we’re casually introducing the horse to the idea of accepting more dynamic contact on the bridle. This is “two-dimensional” softness. ✅ Add Vertical Flexion — With the indirect rein already working, the addition of more vertical flexion comes naturally without a fight. The horse is already used to, and is comfortable accepting, more contact on the outside rein. He guides off of it well by this stage. Now all you need to show him is a new “spot” where he softens vertically and “breaks over” at the withers — relaxing and softening his entire front end. As I call it, “three-dimensional softness" or "true softness”.

Riding a bridle horse one-handed... the RIGHT way... is a new and challenging feeling if you've never done it before. So if you're trying to get there? If you're looking to put your own horse in the bridle eventually? Here's a juicy insight... An exercise that will help get you more comfortable and identify the "feel" you need to be going for: COUNTER-CANTERING your horse one-handed. On circles and around corners. Simple. But too often overlooked. You can even start this in a snaffle. It's an under-rated yet powerful way to understand what expert riders mean when they say things like "Drive the horse UP TO the bridle", or, "Ride from the inside leg to the outside rein". In the process of figuring out how to counter-canter a horse one-handed on a soft and collected circle, you will — by necessity — start figuring out how to use your inside leg effectively to keep the horse in the lead and on the circle without breaking gait. You'll start to identify the feeling of your leg driving the horse up into the bridle; creating impulsion, and your outside rein "catching" that energy and providing structure and direction; creating an awesome feeling of collection, balance and rhythm. Plus, this exercise is great for your horse's mind and promotes softness and balance in general. When we've taught this exercise in private lessons with aspiring reiners or "advanced beginner" riders... it's been a major "breakthrough" moment for them. If you've not felt it yet... you don't know what you're missing. The collection. The power underneath you. The control. If it sounds far-fetched right now, we can promise you: Once you learn and achieve this milestone, the bridle horse "feel" becomes very apparent and everything just clicks. You'll have a light bulb moment where you're like, "So THAT'S what all the fuss is about!" Nearly any western horse can and should get to this level, in my opinion. Even if you have no intentions of showing. You should still get

The idea of “collection” frequently comes up in horse training. Understanding collection – what it truly means, how it feels, and how to achieve it – is a challenging but necessary step in your evolution as a horseman. To help demystify collection, let's draw a comparison with the world of auto racing, where a seemingly counterintuitive principle operates: Sometimes, going faster can make a car EASIER — not harder — to control. In horsemanship, there’s a similar paradox. Sometimes, the way to increase softness, responsiveness and control with a horse is not by pulling harder on the reins, but by asking for more drive — more forward energy — more impulsion. Let's dive deeper into this analogy. Imagine driving a high-powered race car. If you drive it too slow and timid, the car will actually be LESS stable, and you have a higher chance of spinning out and crashing. Why? Because the car was designed to operate better at higher speeds. As speed increases, air pressure creates "down force" on the aerodynamic surfaces of the car, enhancing its grip on the track. This increased grip makes the car more responsive and balanced, allowing for higher speeds around corners without compromising safety. If the speed drops too much, the car loses this down force, making it trickier to control. In the horse world, we draw a parallel to “down force” with the term IMPULSION. Synonyms for impulsion include 'drive', 'hindquarter push', and the sensation of the horse 'running uphill'. Impulsion is not merely 'forward motion', though that's a part of it. It's about the horse engaging its hindquarters, driving forward in a balanced and collected manner. It's not just about the horse moving forward, but doing so with energy, power, and purpose, instead of coasting flat-footed across the ground. As one client of mine put it during a private lesson, when she felt her horse driving off its hind end correctly, “It feels like the energy is coming from a diff

🍀 Amy took Cooper out for a peaceful lope around our back field 🍀 How to describe Cooper in one sentence? He's the equine version of a Porsche... Sporty and fun when you ask for it, luxurious and civilized everywhere else. He's going to make someone very happy 😊

Colt Starting Secrets

The psychology behind training young horses can be tricky. You need enough variety to provoke curiosity and teach new concepts to the horse… …and yet… Enough consistency and repetition to cement learning and build permanent knowledge. Striking the right balance between Variety and Consistency is often challenging. It gets even harder when, once the horse understands a lesson, he starts looking for shortcuts and ways to anticipate, or "cheat the system". That's not him being bad, it's just normal horse behavior. Horses have one of the best memories in the animal kingdom. Their ability to recognize patterns and anticipate things is what makes them trainable in the first place. Once the horse grasps the concept of the exercise you’re teaching him, he’ll start trying to find that release of pressure – or comfort zone he knows is in there somewhere – faster. That’s good in some ways, but it can also have unintended consequences as I explain in the video clip. A good horseman knows how to manage this type of anticipation… When to CULTIVATE it, encourage that desire, and allow the horse to take greater responsibility for the exercise... Or when to DISCOURAGE it, so the horse isn't ignoring and taking every decision out of the rider's hands. And not just when, but HOW. How to do that effectively, and get the point across without damaging a green horse’s confidence. As a horseman, how can you improve your feel and timing in order to walk this fine line and not mess things up? The best way: 1. Hundreds of hours of in-person lessons at a cost of many thousands of dollars. Or, the Next Best Way: 2. Getting a video course like this for less than 150 bucks. Raw, unedited training sessions where you get to see the daily ebbs and flows of a horse's progress as it happens. Nothing is edited out. Diluted. Or hidden. You get the full context of the experience and see the nuances. It's the best possible supplement to real-life e

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Our Story

The feel of a truly soft & refined horse. The confidence. The bond. The adrenaline of maximum performance. Horses inspire huge passion and emotions in us, and we want to share that excitement - along with the practical steps to create it.

Our Mission

Making advanced horsemanship accessible.

Our Vision

Inspire humans to become thinking horsemen. Transform horses into performers. Pursue higher achievement in the arena and out on the trail - fueling partnerships that inspire a world of dreams and emotions.

Our Values

We strive to embody our team values of Passion, Respect, Innovation, Determination and Excellence. And we seek out owners and riders who believe the same things we do:

Passion — Horsemanship isn’t just something you ‘do’. We believe horsemanship is an experience to be embraced wholeheartedly with pride and enthusiasm. It’s certainly not without challenges, but these challenges remind us that we are part of a unique and extraordinary world tradition that inspires huge emotions in all of us. We relish the opportunities to set ambitious goals. We are driven by our passion for riding and training horses of all kinds, both in the arena and out on the trail.

Respect — Horse training is an endeavor that demands competence, rewards integrity, and necessitates personal growth. We believe in giving and earning respect at all times: Respect for and from our horses, our fellow horsemen, our competitors, and the process of horsemanship itself. Success will not happen without strenuous effort to improve ourselves every single day.

Innovation — Horsemanship is a unique proving ground where tradition and innovation combine to push horse and human capabilities forward. We are proud of our heritage and the horsemanship tradition we take part in. Yet we are determined to keep writing new history. We believe in honoring the past while pursuing the future; not only to accomplish our goals in the saddle, but to share our passion for horsemanship with others in new and impactful ways.

Determination — Passion and emotion are inherent in everything we do. But we believe that determination is the bedrock of character. The gritty, relentless pursuit of our goals defines who we are. We lean into discomfort and embrace change. We believe in going the extra mile, whether it is recognized or not. We take pride in our work ethic, and we value loyalty and dedication over personal gain.

Excellence — We believe horsemanship isn’t just a journey, it’s a process with accountable results. We aim to deliver results that dramatically exceed expectations. But while we have full confidence in our program, we continue observing the horse world with open-minded curiosity to help grow our own competencies. We are committed to the pursuit of excellence on a daily basis.

Origins

Jake Lundahl and Amy Keegel are horse trainers, clinicians and competitors. They have dedicated their lives to helping owners and riders of all levels, and keeping them inspired to achieve their horsemanship goals.

Jake Lundahl | Jake’s career as a horseman began at age 15, when the Nebraska native was starting colts on his family’s farm. While still in school he worked with several local trainers to gain professional experience. It wasn’t long before Jake was taking in outside horses for training, teaching riding lessons, and traveling around the country competing in everything from stock horse shows to Mustang Makeover events. Jake soon left home to further develop his skills with top professionals in Oklahoma, Texas and Arizona. He earned his place as a student under several prominent horsemen, including an NCHA futurity champion, a world-renowned clinician, and an NRCHA Million Dollar Rider with multiple futurity and derby championships to his credit. In 2017 Jake brought his apprenticeship phase to an end, and Lundahl Performance Horses was founded. Right now, Jake's efforts are focused on the performance horse program and the Horseman's Academy. He also conducts lessons and clinics, and trains all-around horses as his schedule allows.

Amy Keegel | Growing up on an Ohio farm, Amy’s love of horses began at age 9 when her family purchased their first pony. Throughout her middle and high school years, Amy constantly found new opportunities to ride and learn about horses. At age 16 she landed her first job with a training barn deep in the heart of Amish country. High demand for well-broke family horses meant that when Amy wasn’t training colts under saddle, she was driving them in harness. Her reputation grew, and as interest in riding lessons increased, Amy began teaching. In 2015 she began a full-time apprenticeship position with a world-renowned horseman in Texas. After graduating, Amy continued training and teaching lessons around the country. She returned to her native Ohio for a time, and soon took a job training and managing horses on a ranch in Wyoming, while continuing to operate her clinician business. In early 2019, Amy joined Lundahl Performance. Right now, Amy trains horses in the all-around program and conducts clinics and lessons across the country. She also assists Jake with the performance horse program and the Horseman's Academy.

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