Becky Holden Riding from the ground. UP.

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Becky Holden Riding from the ground. UP. Welcome to Riding From The Ground UP. Combining work in-hand and under saddle to produce a classic education for both horse and rider. Now, where do i start!

I am a licenced instuctor for Philippe Karls school of Légèreté (lightness) and also a level 4 Enlightened Equitation instructor. Combining the system of Légèreté and Enlightened Equitation has given me the skills to analyse the values of anatomy and physiology, locomotion and the psychology of both horse and rider, With simple effective solutions to common placed problems. I love to teach and str

ive to bring ordinary horses and their riders up to a level far less ordinary. All it takes is dedication to learn and to give 100% respect to the horse. In 1997 i was sent an editors choice from a book club. I usually just sent them back but with this book i failed to do so in the allocated time. It sat there for a while until one evening i opened it and started to read it. It was called Enlightened Equitation. It began to fill in the gaps of earlier reading with its simple explanations of how to use the seat and weight aids. In 2005 i moved down to Devon and under Heather Moffetts guidance developed my understanding for classical riding. Heather helped me bring together my 20 years experience of hard work and dedication and channelled it into what she thought i did best, train horses. With her support i held specific courses for clicker training and high school movements and also courses for working the horse in-hand and in the long reins. This developed to the point where i was holding clinics throughout the UK. In 2009 i moved back to manchester so i was more central for my work. Not owning any horses of my own (i was always in a position not to need one) i took on my mums horse Jen. In a nutshell Jen was the horse who found me out and told me i wasn't good enough and i needed to learn more. She questioned all my experience and put me in my place. For two years i endeavoured to do my best, i spent a fortune on different bits which she would like for so long then the tension and irregular contact would creep back. Coming against and above my hands by opening the poll but when flexed at the poll and ‘round’ felt to light and resembled a ticking time bomb! I thought my hands were good, i was told i had ‘good’ hands but here was my problem. Jen would feel relief with the new bit and would tell me she liked it then a couple of months down the line the bit would become the same as all the others i tried………the common denominator……… My HANDS!! I was clearly missing something! I was first introduced to the work of Philippe Karl back in 2006 when i watched his DVD’s on training the horse. Philippe Karl is a classical trainer and former écuyer of the Cadre Noir. In 2004, he founded ’The School of Légèreté’ (The School of Lightness) in order to pass on his philosophy. So to hear he was planning to come to the UK i was keen to find out more! I became one of 9 riders chosen and began my training with Jen in 2011. This is clearly what i was missing and in that first year Jen changed because my hands changed. She began to understand my language! In 2015 i became a licensed instructor for the School Of Légèreté. Im now in a position to bring ALL horses up to a high level of education and not just the talented ones. Throughout my life I've been privileged to work with some wonderful horses i now feel that the less talented or problem horses i deal with can be brought up to their full potential using the system of Légèreté.

26/08/2024

I've just been sent a video and it's made my day!
I've been working with a horse called Pharaoh, a Welsh x arab.
He found canter very difficult with and without the rider. He could only canter on one lead and would disunite behind. He couldn’t balance his own body so no wonder trying to balance with the weight of the rider was impossible so the rider often ended up on the floor!

Jenny his owner has invested a lot of time and money to help him out.
She has had lessons to help her seat and balance and I’ve done lots of groundwork with Pharaoh to help his balance, coordination and correct canter lead.

So to be sent this video is what makes my job so worthwhile! The joy in Jenny’s voice is wonderful 😁

14/08/2024

I've been working hard on this video to compliment the 3 part series on the flexions, superbly written by Kate Sandel 😊

Part 3 about the Flexions brilliantly written by Kate Sandel 😁
13/08/2024

Part 3 about the Flexions brilliantly written by Kate Sandel 😁

Part 2 of the flexions, brilliant once again Kate 😁
11/08/2024

Part 2 of the flexions, brilliant once again Kate 😁

All about the flexions 😊
09/08/2024

All about the flexions 😊

29/07/2024

The licenced teachers and their beautiful horses 😁

** The advert should say 30th November 1st December **We really hope to see many of you at this years Horsemanship Showc...
17/07/2024

** The advert should say 30th November 1st December **

We really hope to see many of you at this years Horsemanship Showcase.

Philippe Karl will be joining us in person, and while he won’t be riding he will be teaching and sharing a wealth of information about the Ecole de Legerete.

On both days he will be giving theory lectures which are always utterly fascinating and he loves a question!

On the Saturday you can see him teaching a number of Advanced Legerete instructors who will be showing the foundations of the work on a wide variety of horses.

On Sunday Mr Karl will teach a foundation instructor who is new to the school and has never received any in-person tuition from PK.

So, although you won’t see Mr Karl astride High Noon you will see an interesting variety of partnerships demonstrating the beauty of this work under his eagle eye and tutelage. He is a fascinating and truly revolutionary master of his art and this will be a rare treat to see him on British soil.

See you there!

🌟PHILIPPE KARL AND HIS HANOVERIAN HIGH NOON🌟

High Noon came to Philippe Karl at age five, a sensitive and easily excitable horse. Philippe Karl summarised in one sentence the actual meaning of any effort towards what one would call the “true art of riding”.

In 2018, Philippe preformed an exclusive solo show at HansePferd combining high school dressage and jumping, Philippe Karl and his Hanoverian High Noon moved the audience to tears! Passage and piaffe, extended trot and half-pass, two-tempi flying changes on a circle, flying changes a tempi almost casually performed on a straight line, then a jump over a flag held level by a helper, followed by a feather-light canter, then again a jump over a combination of three flags. As a farewell, a noble school walk. No one was left unimpressed. At HansePferd, the 13-year-old gelding was able to demonstrate his full potential. “It is my task as a rider to develop the nobility of the horse”....

Horsemanship Showcase - The Horsemanship Event of The Year

30th November - 1st December 2024 at Bury Farm Equestrian Village

Grab your tickets now:

www.horsemanshipshowcase.com

The recent legerete clinic was excellent, and once again, Espirito gave it his all and did his absolute best. He felt in...
08/07/2024

The recent legerete clinic was excellent, and once again, Espirito gave it his all and did his absolute best. He felt incredible during his lessons with Sylvia, and we both enjoyed them immensely.
Our focus was on collection and canter changes.

During the piaffe exercises, when transitioning from shoulder-in, Espirito manages a couple of bouncy strides but then loses the rhythm. If I try to maintain the piaffe for longer, he gets tense and tries to escape out to the side. We've attempted to use rein back to Piaffe, but he doesn't have enough energy. Sylvia suggested a different approach: walk pirouettes followed by asking for the piaffe. I was sceptical, but surprisingly, it worked, and he was relaxed about it, too! Well, I say surprisingly, but nothing surprises me with Sylvia, her intuition and knowledge are quite something.

In the canter changes, we have a very confirmed late change. The exercises I have been using to help this is canter on a large circle, inside lead, change the bend to the outside, walk, renvers, and counter canter. The idea is that the renvers get Espirito thinking about his hind legs during the change, and when I feel he is ready, I ask for the change without the walk transition. This works because, in practice at home, he has sometimes changed with the hind legs but not the front, which is a good progression. But he can also try too hard, well we both try too hard, and he leaps around, which isn't easy to sit to, him being 17.1hh and me only 5’5” 😁
Sylvia corrected how I used the outside (to the bend) rein. I was opening it too much and trying to keep the circle, putting us both out of balance.
We did manage one clean change. I will admit it was one I didn't ask for, but he managed a clean change for the first time!

We also worked on slowing the stride in the Spanish walk. He used to manage a slow walk, but his shoulders would paddle, so we increased the speed of the walk to correct this. But now, the Spanish walk stride is a little quick, so we used the circle to help bring the slow walk and the correct stride together, which worked perfectly.

Espirito is now 23 years old and is still improving, which is testimony to the school of legerete.
I'll post some video as soon as I have edited it 😁

08/07/2024

We all had a fantastic clinic!
I will share some videos of my lessons soon.
Espirito was on top form 🥰

Kate and lovely Fuego😀
04/07/2024

Kate and lovely Fuego😀

We will have one of the foundation riders, Rebecca, taking a rider place on the advanced clinic this time. Bringing a ne...
03/07/2024

We will have one of the foundation riders, Rebecca, taking a rider place on the advanced clinic this time. Bringing a new horse, 😍

And today its all about Millie the legerete cob 😍
03/07/2024

And today its all about Millie the legerete cob 😍

01/07/2024
What a journey it’s been! He has taught me so much and you can’t deny how this work changed him for the better, and me o...
30/06/2024

What a journey it’s been! He has taught me so much and you can’t deny how this work changed him for the better, and me of course 🥰

For the first time in a long time I have all 3 of my horses sound and back schooling 😊 Fechero (chestnut)has recently co...
22/06/2024

For the first time in a long time I have all 3 of my horses sound and back schooling 😊
Fechero (chestnut)has recently come back into work and Tiago (buckskin) has had many delays getting started, the main reason has been me dealing with the loss of mum and gran and I didn’t have the right head space for him. You need a sense of humour with Tiago so the best thing was to wait till I felt ready. And Espirito who is feeling fantastic at 23 years old 😊
Here are a few photos from this weeks schooling 😊

'Bending around the inside leg'Do horses bend around the inside leg, and is it possible?The short answer is no. However,...
29/05/2024

'Bending around the inside leg'
Do horses bend around the inside leg, and is it possible?

The short answer is no. However, it is indeed possible to teach the horse the meaning of the inside leg aids.

In dressage, the use of the inside leg is frequently used for various purposes. Common phrases such as "more inside leg," "inside leg to outside rein," and "bend the horse through the whole body" are often encountered when learning about dressage.
I've just researched some of these quotes, and it's been quite overwhelming!
While I understand that horses are smart and can learn complex sequences of aids, I believe it's best to keep things simple!

Before I continue I want to quote some of the official ways....

Bend refers to the whole body and flexion refers to the poll, we can flex without bending but we never bend without flexing.

Inside leg to outside rein is the secret to bend. The inside leg creates bend and the outside rein catches the energy and the outside leg controls the quarters.

It's impossible to bend without poll flexion and learning to flex the poll will improve suppleness.

To improve bend spiral in and out on a circle using the bending aids, inside leg at the girth to bend and the outside leg to control the quarters

Wow!!

Given the name of my page, "Riding from the Ground Up," and my specialisation in work in hand for many years, I considered this as excessive micromanaging during simple exercises such as riding a circle or a corner when all of this can be accomplished on the ground without a rider and leg aids.

I am amazed by the lack of emphasis on the role of the neck and shoulders in horse training. Novice horses are expected to master bending from the inside leg, but the area where the inside leg is applied lacks flexibility. Meanwhile, the neck, the most supple part of the horse, is completely overlooked. Is it surprising that many horses and their dedicated riders struggle to progress beyond the prelim/novice level?

Let's look into the official points I quoted and compare them to a more rational approach.
It's commonly misunderstood that horses bend from nose to tail, but in reality, the area from their withers to their tail lacks flexibility compared to the neck vertebrae.
The illustrations often found in dressage books represent an ideal rather than reality. You would never witness a horse bending like a banana in an aerial shot. Never!

The idea of never asking the horse to bend without poll flexion.....

What a crazy idea and no wonder horses find it so challenging to become flexible! When the poll is flexed, it denies them the ability to bend and when the horse has been taught to flex the poll before becoming flexible in their neck, they very quickly say yes to their poll and no about the bend.
When a beginner horse is encouraged to flex its poll before learning to bend, it will lead to a shortened neck and an over-flexed horse rather than achieving suppleness.
When working with a horse using a gymnastic approach, the horse can bend with a flexed poll. However, it's essential to address the horse's natural crookedness before focusing on this. (Please refer to my previous post about natural asymmetry)

The next point is the use of the inside leg:

Before the horse has overcome their natural crookedness, they will fall in on one rein. Officially, we are told to use the inside leg to correct this, but when we ask the horse to bend, we also use the inside leg. So, we use the same aid to fix two different things. Confusing, don't you think?
So, let's break this down and consider this from the horse's point of view.
Falling to the inside shoulder is a problem with the shoulders; our inside leg is behind the shoulder, so wouldn't it be a better idea to use the hands which are above the shoulders, to correct this? The horse is then asked to bend, but officially, the poll needs flexing first, so with poll flexion, the horse is then expected to work out what the inside leg means to bend. Wouldn't it be more helpful and less confusing to use the hands to teach the horse to bend? Our hands have the ability to communicate a wide range of messages, while our legs are not as versatile when working with a novice horse.

Inside leg to outside rein:

Now, this is an interesting statement and one I have never understood!
So officially, the hands flex the poll, the inside leg creates the bend, the outside leg controls the quarters and the outside rein holds the energy.
I'm a bit unsure where to start, but let's remember that we are still working with a horse in the early stages of its training. The horse has not been taught how to move away from the inside leg with shoulder-in, nor has it been taught how to move the quarters in the same direction as the bend with travers exercises. Therefore, these leg aids will not make any sense to the horse. Additionally, if, by some miracle, the horse trained in this way reaches a level of shoulder-in and travers, haven't we dulled them to the leg aids with this riding in the early stages? This usually leads to the phrase "more leg", suggesting that using firm aids will lead to the desired response from the horse. However, as mentioned, the horse has not yet mastered the specific language of leg aids.
It's similar to an English speaker raising their voice to make a French speaker understand - the French speaker won't understand English words just by hearing them louder!
It's essential to understand the proper use of leg aids. The key is to use leg aids lightly. If "more" and "leg" are used together, it will lead to issues. We should strive for a better understanding of how to use our legs rather than relying on applying more pressure.

Philippe Karl has the perfect, simple way to explain this....
"more leg, No, a better understanding of the leg, yes!

Légèreté riders are often criticised for using their hands too much and not riding from their seat and legs. In the early stages of training, we rely on our hands as we develop this detailed language. To aid means to help, so using hands in the early stages is necessary.

Once the horse needs less help from the hands, we can focus on fine-tuning the language of the legs and teach the horse how to bend from a leg aid. However, it's important to note that the leg aid should never be the primary aid for teaching a horse to bend. Once the horse understands bending from a hand aid, our legs can take over.

So, how do we start this education?

With neck rein turns, I've discussed neck rein turns in my previous posts about balance and natural asymmetry. Using the neck rein has many benefits. Once it's used to help the horse balance its shoulders toward the new direction and they understand the exercise, we can involve our legs.
Let's say we are riding on the right rein down the long side and preparing a change of direction. As we approach the end of the long side, we add a light counter bend to the left. We then bring the left rein against the neck and we open the right right to encourage the right foreleg to open and step into this opening rein. With our left leg, we can apply a contact at the girth with a light pressure, also encouraging the horse to step into the opening rein and ride a teardrop shape back to the outside track we have just left and now we are on the left rein.
In this exercise, we focus on several valuable aspects for the horse. First, we are performing a turn with a counter bend, which is a more natural way of turning. This helps the horse prepare its balance to the new outside shoulder and also establishes a light bend for the new direction. Additionally, we can introduce the concept of the inside leg. While the primary aids for this exercise are our hands, the horse will begin to feel the inside leg and understand that it means bend and also to move away from this leg aid. As the horse progresses, the inside leg will become helpful with circles and corners, making it an excellent pre-exercise for shoulder-in, too.
But, it is also necessary to know how to use the inside leg.
We need to synchronise our leg aids with the swing of the horse's rib cage.
It is the swing of the ribcage which will give the rider the feeling of bend, but it is not the spine curving. It's the rib cage swinging.
When a horse is walking, the movement of its hind legs affects the position of its body. For example, when the left hind leg is off the ground and reaching forward, the left side of the horse's body will drop and the ribcage will swing to the right. When the right hind leg is off the ground and reaching forward, the right side of the horse's body will drop and the ribcage will swing to the left.

So, when riding a circle to the left, the ribcage will swing left and right, and the position of the ribcage will not remain pushed out to the right while on the circle. This means using the inside leg at the girth and the outside leg behind the girth can impact the horse's movement. Simply relying on firm leg pressure won't stop the natural swinging motion, so it's essential to use leg aids effectively to influence the horse's movement.

Learning how to feel the swing of the horse's ribcage will also help the rider influence where they would like a particular hind leg to land. When we feel the ribcage swing to the right, we know the left hind leg is off the ground, which is vital to perform a lateral movement.

The key message here is not to overuse the legs during early training. Instead, focus on developing the language of the leg aids to achieve lightness and precision. A horse that is responsive to aids and moves forward hasn't been trained with strong aids. Also, don't assume that advanced movements are only for athletic horses. All horses can work with lightness and achieve collection when trained in a way that makes sense to them. When horses are trained as individuals, magical things can happen. If you are advised to use more leg in your lessons, remember that your horse needs a better understanding of the leg aids. Simply using 'more' will not be effective.

After the recent discussion about how natural asymmetry can be mistaken for a lack of balance, we can now delve into a m...
21/05/2024

After the recent discussion about how natural asymmetry can be mistaken for a lack of balance, we can now delve into a meaningful conversation about what balance truly is.

Firstly, we need to talk about the forehand. It's all too common for the emphasis to be on the hind end and what the hind legs are responsible for. The role of the forehand is often overlooked, and we are led to believe that the magic happens when the hind legs are pushing and engaging. "Driving the hind legs towards the central line of gravity" is a term I've often heard. Also, "the horse is on the forehand" is another term often used, but the horse can't help being on the forehand, unless, of course, they walk around on their hind legs!
So before we include the hind legs in this discussion, we need to consider why horses are described as being on the forehand.
The horse's head and neck is a significant amount of weight and plays a crucial role in helping the horse maintain balance. This weight is unsupported and places a burden on the horse's forehand. As a result, it is important to train the horse to not only shift its weight backwards but also to accommodate the rider's weight to achieve a more equal balance ratio, front to back.
Carrying more weight on the shoulders isn't an issue for a horse who isn't ridden, it's natural for a horse to move with more weight to the forehand. However, when a rider is added and a high percentage of their weight is also carried on the forehand, it becomes important to address this to help the horse carry the rider and themselves more effectively.
When observing a well-trained advanced horse, the weight ratio from front to back is more balanced compared to a novice horse. So, what can we do to help the novice horse find balance when the front-to-back ratio is unstable and not balanced?

We teach them to find balance in an unstable state.....

I was intrigued when I first heard this statement. How can something be both balanced and unstable at the same time? Let's picture old-fashioned weighing scales, the ones suspended from chains. When each side of the scales are equal to the other, we can consider this as horizontal balance, like the forehand and the hind end of a horse displacing weight evenly. However, as I mentioned, only a well-trained, advanced horse can work towards this horizontal balance, but how do we help a novice horse achieve this?

By schooling with different neck positions.

When a horse raises its neck, it can better support the weight of its head and neck, as well as the weight of the rider. This has been scientifically proven through studies that involved placing horses on weight plates and observing the effects of different neck positions. Specifically, when the neck is raised with an open angle to the poll, the weight ratio front to back is the most even. When the neck is lowered, most weight is on the forehand and a slight difference in the poll position changes the degree of weight carried by the shoulders. So poll flexion adds more weight to the forehand and is one of the many reasons we should not be 'rounding' our horses too soon, but I will come back to this point.
Although a raised neck and an open angle to the poll can help the horse achieve better balance, we wouldn't want to ride in this posture all the time. We need gymnastics, and any position held for too long, even a beneficial one, can have negative implications for progress.
So what do I mean by gymnastics?
We need to be able to raise the neck, bend the neck, and extend the neck in all three paces.
I think one of the things that sets the school of légèreté apart from most other training is its focus on these principles.

But, why would we encourage the horse to elongate its neck when lifting the neck has been shown to have positive effects on balance. Taking into account the research on the additional weight placed on the forehand when the neck is extended, it seems counterintuitive.
The balance of a horse is crucial, especially in an unstable state. Even though a horse may appear to have a horizontal balance when extending the neck, this position leads to an unstable balance, it is not a horizontal balance.

Extending the neck is a part of a horse's early training to achieve a 'round' frame. It's important to note that a horse should not become round by over-flexing its poll.
By extending the neck, we can stretch and round the top line while maintaining the horse's natural balance, ie, on the forehand.
This action helps raise and strengthen the abdominal muscles and lift and lengthen the back muscles. It also allows the shoulders to extend and helps the horse become more comfortable with the contact to our hands.
By raising the neck we can teach the horse not to lean on the hands, to help them take weight off the shoulders and maintain a relaxed mobilisation of the lower jaw, or the 'giving' of the mouth.
Bending the neck, extending the neck and raising the neck will lead to the final request of poll flexion and the test to whether the horse is achieving 'mise en main'.
This means poll flexion is one of the last requirements and is never the first thing, which unfortunately we see too often these days.

The role of the hind legs...

While the hind legs will eventually carry more weight, in the early stages of training, their primary responsibility is to provide impulsion and good impulsion refers to an immediate and light response to leg aids. Without this impulsion, the horse's relaxation and balance will be negatively impacted. Additionally, if there is relaxation and balance without forward impulsion, it can lead to laziness, and if impulsion is created with tension, it can cause the horse to panic and become too quick.
It is crucial to maintain a harmonious combination of balance, relaxation, and impulsion in equal measures. While the famous Baucher quote "balance before movement" holds significance, the ultimate goal is to achieve balance within movement itself.

I will now revisit the point I made earlier about horses rounding and flexing the poll too soon and the effects this has on their body. Without the gymnastic approach described above, the horse will find it impossible to flex the poll and stay light and balanced on their shoulders. As a result, the weight of the head and neck remains a burden to the forehand, and the added poll flexion adds even more weight to the shoulders. Driving the hind legs forward to low fixed hands, while keeping the poll flexed, will do nothing to aid progression. Being told to ride the horse forwards, over the poll, and through the back are pointless things to say and, let's be honest, mean absolutely nothing!
If you are out competing this weekend and receive a comment 'could be rounder' on your prelim dressage sheet, well done! That will be a 10 from me 😁.

We often hear the word "balance" used in the equestrian world, but what does it mean? It's all well and good to be told ...
16/05/2024

We often hear the word "balance" used in the equestrian world, but what does it mean? It's all well and good to be told that your horse is off balance, or that they are prone to losing their balance. But how and why does your horse lose their balance?
They have four legs, right? How can they lose their balance?

Have you ever asked your instructor a question and been told, "It's because your horse requires better balance"? Has it ever been explained to you exactly how and why your horse could find a better balance?

I've noticed that certain statements are often made without much or no explanation.

Before I continue with the above, I would like to share with you my most recent experience of being off balance. In October of last year, I fractured my ulna bone, which is the bone that connects the wrist to the elbow. As a result of this fracture, I was unable to use my elbow for 9 weeks. I was left with a bent arm, in front of my chest, in a sling all of that time. Aside from the obvious issues of losing the use of one arm (such as being unable to use a corkscrew to open a bottle of wine 😂), what surprised me most was how off-balance I was. I would find myself taking tiny steps down the slightest incline, feeling like I was about to fall over. We don't use our arms or shoulders to weight bare like four-legged horses, but still, the fact that I couldn't swing my left hand as I walked, or even position my arm to help me balance walking downhill made me feel so vulnerable.

Horses are naturally asymmetrical. One shoulder tends to carry more weight than the other and one hind leg tends to push more than the other. A horse is never born perfectly symmetrical!
For a horse who isn't ridden, these asymmetries don't cause any problems. They can go about their business just fine moving like nature intended. But for a newly backed horse, the issues begin when they're expected to carry the rider. Most of the rider's weight goes to the forehand, so whichever shoulder your horse prefers immediately has more weight to carry. Even if it's not immediately obvious, your horse will start to feel out of balance even before they've taken a step!
I know what it's like to have my natural movement hindered and I can't imagine the vulnerability a newly backed horse feels the first few steps they take with a rider! In most cases, the newly backed horse will never receive help to overcome this imbalance. They'll never be taught how to balance their body before the weight of the rider is added.
They will be expected to walk, trot and canter with not only their own body weighted more to one side but now the rider's weight too.
A talented athletic horse may deal with this in the early training but eventually, it will show.
For a less athletic horse, these issues may become apparent sooner, as they might struggle with maintaining balance and coordination. This could manifest as falling in dramatically on the circle, struggling with certain canter leads, or exhibiting spookiness due to their lack of balance. Additionally, some horses may seem sluggish and unresponsive, displaying reluctance to move forward and a general lack of energy.
Often when dealing with these issues, the typical approach is to repeat the same thing over and over, hoping that eventually, the issue will disappear. Sometimes this method works, but often it doesn't. You might notice improvements at the end of your lesson, only to be puzzled when the issue reappears the next time you ride.

Continuously riding in circles and dealing with the same problem, while hoping for a different outcome, doesn't help the horse learn what you're trying to improve. This is often done by insisting that the horse stays round and over-flexed while the rider is repeatedly told to use more inside leg. But I won't digress!

So what can we do to help all of the above?
Firstly, we need to understand natural crookedness before we address balance. By addressing and understanding natural crookedness, we can lead the horse and their rider to better balance.

For example, the rider may feel that the horse is stiff to the left rein, willingly accepting contact to the left rein but not as much to the right rein. This is because the horse was born with a natural curve to their body, with the main ligament shifted to the right. As a result, the mane falls to the right, the horse prefers to weight the left shoulder, and it carries its head to the right. Additionally, the right hind reaches more than it pushes, easily escaping to the side, while the left hind pushes more than it reaches.
The situation is reversed for a horse whose mane falls to the left. Of course, not all horses have read the textbook and injury or bad training can cause a fluctuation in their crookedness.
In the first example, for a horse naturally bent to the right with its mane falling to the right, it is necessary to find a way to lengthen the short concave right side and help the horse take more weight on the right shoulder. Additionally, it is important to find a way to encourage the horse to push and engage both hind legs equally rather than pushing with one and reaching with the other. We have specific exercises to address these issues. One of them is "fléchi droit", which translates to "bend on the straight line." This exercise focuses on isolating bending before turning, allowing the horse to become equally flexible to the left and to the right.
We have exercises to help the shoulders. Using a counter-bend on the circle is a very useful way to put weight on the shoulder the horse prefers not to. Also, neck rein turns with a counter-bend can help prepare the bend and balance for the new direction.

To address hind leg asymmetry, we use different angles in the shoulder-in.

When the horse likes to bend to the right and reach with the right hind, we say, "Not so much bend, please, but increase the angle." We encourage the push more than the reach with the inside hind. On the left rein, when the horse prefers the angle more than the bend, we say, "More bend, please, but much less angle" to encourage the left hind not to push so much.

When the right hind escapes to the outside, we will never use the right leg to correct this. Instead, we would take the shoulders back in line with the crooked hind leg. Another useful example of how we would use the neck rein. If we ask for the rein back on the right rein and the horse steps to the inside with the right hind, instead of correcting this with the right leg, we would either use the neck rein to take the shoulders off the track back in line with the crooked hind leg or prepare the rein back from a light shoulder-in position to help the hind leg stay in the correct place.

When a horse starts to drift inwards on a circle, simply using more inside leg and relying on the outside rein won't effectively communicate with the horse. Similarly, when the horse tries to veer to the outside, using the outside leg won't communicate or teach the horse to stop doing it. If our goal is to advance to lateral work and achieve collection in the future, we need to teach the horse aids in a way that makes sense and supports progression, rather than complicating and hindering them with unnecessary aids from the rider at the beginning.
If we've used our leg aids to prevent the horse from moving in a crooked manner, how can we adjust our aids to convey a different message as we progress further in our training?
Our legs simply mean "go" or change gait in the early training and shouldn't be used to prop up a crooked horse.

When you receive a "loss of balance" comment on your dressage sheet, encounter difficulty with a canter transition, or struggle with forwards or spookiness, it's important to consider that your horse may be experiencing issues with crookedness. To address these challenges, it's essential to help your horse become more flexible and balanced in their shoulders, while also assisting them in pushing equally with both hind legs. This will then allow for a deeper discussion on the concept of balance. And something I will write more about soon.
The photos below explain some of the exercises I have mentioned.

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