10/04/2024
I love this!!! Such a different approach đ
What is the right contact with the bit?
Should the rider feel a pound of pressure? A kilogram? Five? Do you drive the horse into your hand, so you can feel the push from his rear pressing into the bit, or reins? How much pressure is required to know that your horse is "on the bit?"
In this old work, contact is just touch.
Just that... touch.
The rider communicates through the rein aids by the weight of the rein, not by pressure on the mouth.
The lips are never even moved by the touch of the rider's hand.
If you look at the connection between the rein and the bit, there is a small area of play between leather and metal. As you begin to gently lift the leather of the rein toward the metal of the bit, there is a moment when the rein comes in contact with the bit.
That is contact. And it is enough.
The bit is not moved by the touch of the rein in your hand.
The riderâs hand is soft, relaxed, at ease. The rein is held between thumb and forefinger, with one rein in each hand, or with both reins in either the right or left hand.
If you can feel that light contact and you have a truly balanced seat, you can communicate a subtle suggestion, a direction. If you have been educated to the rein aids, with that connection you can communicate to the horse so that he places his weight exactly where you want, on any of the four legs, and anywhere in between. You can, using the smallest indication of the aids, suggest any of the gaits, and any posture desired to make movement simple and easy for the horse.
It takes no pressure, but to create meaning from touch does take a link between the riderâs and the horseâs minds.
Now, there are two of you here.
The horse's mouth and mind is as involved as the rider's hand with the bit, the horse should be free to be as curious and sensual about the connection between you as the rider is. A fully supple, balanced horse and a supple, balanced rider with a good education view the simple snaffle bit as something to listen to and speak through quietly to one another.
The rider listens through the bit as much as we communicate through it. The mouth is the first thing to change if the horse begins to tense, and the last thing to release as he relaxes. The hand in the rider plays much the same role.
This weight of the rein connection is easy if the horse and rider both are in self-carriage and perfectly balanced. If we are not supple or balanced, we express our stiffness or lack of coordination through altering the touch on the bit.
This is not wrong, no one is perfectâbut only one person in this pair of animals has a vision for an improving connection.
Some horses will root at the bit, some will fiddle with it, some will clench it between the teeth, some will lean on it, some will pull back from it, or tuck their nose so that the feeling is lost. (And, by the way, the unbalanced or fearful riderâs hands start with the same problems.) In the old way of working, any change to the feeling of the bit is information, communication, an indication of a change in the horseâs carriage, balance, and calm.
The rider never ignores the horseâs discomfort. The rider always returns the touch to âlĂŠgèretĂŠâ, that is, to lightness.
The feel on the bit has been said to be like stirring heavy cream, deeply connected, smooth, effortless, delicious. It is the feel you have when you are going to dance with a great partner, and you float up from your chair when he offers you his hand, no one is gripping, no one is pulling, and no one is leaning, your hand rests like a small bird on his, and with that sweet, sweet connection, as with the horse, together your balance is exquisite and your rhythm divine.
Weight of the rein. That is "right contact". Weight of the rein, and the intoxicating link between two minds.
Mary Anne Campbell
www.blue-river-farm.com