Architecture in livestock design

Architecture in livestock design Architecture and design for animals including furniture for pets, homes for birds, animal hospitals, For the profession, see Architect.

For other uses, see Architecture (disambiguation). View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top. Brunelleschi, in the building of the dome of Florence Cathedral (Italy) in the early 15th century, not only transformed the building and th

e city, but also the role and status of the architect.[1][2]
Plan d'exécution du second étage de l'hôtel de Brionne (dessin) De Cotte 2503c – Gallica 2011 (adjusted)
Plan of the second floor (attic storey) of the Hôtel de Brionne in Paris – 1734. Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings or other structures.[3] Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.[4]

The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents.[5] For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient time. The earliest surviving text on architectural theory is the 1st century AD treatise De architectura by the Roman architect Vitruvius, according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. Giorgio Vasari wrote Lives of the Most Excellent Painters, Sculptors, and Architects and put forward the idea of style in the arts in the 16th century. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century. Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the European Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated. Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating.

The primary enclosure should be structurally sound, safe and of a proper living condition for the confinement and shelte...
11/08/2022

The primary enclosure should be structurally sound, safe and of a proper living condition for the confinement and shelter of animals to prevent injury, exclude unwanted animals, and to enhance the hygienic condition for the animals. The material and finishing of the space is animal type determinant. For example, wire-mesh bottoms or slatted floors in cages are not acceptable in primary enclosures for cats and dogs. Enclosures that permit care and cleaning without removal of the animals are very important to preventing disease transmission, especially for recently admitted and ill animals as well as animals younger than 20 weeks in age

11/08/2022

condition for animal health and productive. It went on to identify such aspect of freedom as freedom from hunger and thirst, which is ready access to fresh water and a diet to maintain full health and vigor; freedom from discomfort - providing an appropriate environment including shelter and a comfortable resting area; freedom from pain, injury or disease - prevention or rapid diagnosis and treatment; freedom to express normal behavior - provision of sufficient space, proper facilities and company of the animals own kind; freedom from fear and distress - by ensuring conditions and treatment which avoid mental suffering. These basic concepts of freedom must be considered in the architectural design of facilities to house animals so that they can remain comfortable, healthy and productive. In Nigeria, food production and agricultural development is a necessity if the country can feed its people. Protein and dairy products’ development is a significant part of this aspiration. However, it is observed that sufficient attention has not been paid to the design of shelters for animals in Nigeria. The practice to enclose these animals in poorly constructed shackles, ignoring the fact that the comfort of the animal has direct bearing on its productivity. This research serves to provide an initial overview of the types of housing systems currently used in Nigeria, the management practices associated with their uses, and highlights potential animal welfare advantages and disadvantages, including areas where further research is required. The understanding the various spaces and enclosures for animal husbandry or shelter are key and is an objective of this work. The insight will aid designs for animal accommodation

11/08/2022

HOW ARCHITECTURAL DESIGNS AFFECT THE COMFORT AND HEALTH OF ANIMALS AND CATTLE PRODUCTIVITY By Agbonome, P.C; Ezennia, I.S; Onwuchekwa, S.N. Department of Architecture, Nnamdi Azikiwe University, Awka. Abstract If a housing system for animal production is to be successful, it must provide for the spatial and behavioral needs of the animal. To achieve this, it is important to understand how an animal behaves when performing routine activities such as drinking, feeding, lying, rising and walking. Housing an animal in a confinement, rather than letting them roam freely, modifies its behavior, thereby, affecting the animal’s health and comfort. An understanding of animal psychology combined with well-designed facilities has the capacity to reduce stress on both the animal and the minders, consequently enhancing health, comfort and productivity. Stress reduces the ability to fight diseases, gain weight and productive capacity. Facilities must be appropriate for the species, anticipated number of animals and the expected length of stay in order to ensure physical and psychological well-being of the animals. The design should also provide for proper sanitation, separation of animals by health status, age, gender, species, temperament, and predator-prey status integrating a relatively soft, clean, flat bed with good footing. This research has not been designed as a blueprint for all herd situations. Spaces for cattle rearing is used as a case study of this work and as a thought provoking instrument to allow for the design of the best-fit situation for individual farms taking into account existing waste management systems, type and availability of bedding materials in the area, cow and herd size and the potential for future changes. However, ventilation requirements in particular, need urgent consideration in all cattle buildings due to the direct and immediate impact on cow comfort and health, feed intake, cow cleanliness and overall production. Key words: Health, Comfort, animal Productivity, architectural design, spaces.

11/08/2022

If a housing system for animal production is to be successful, it must provide for the spatial and behavioral needs of the animal. To achieve this, it is important to understand how an animal behaves when performing routine activities such as drinking, feeding, lying, rising and walking. Housing an animal in a confinement, rather than letting them roam freely, modifies its behavior, thereby, affecting the animal's health and comfort. An understanding of animal psychology combined with well-designed facilities has the capacity to reduce stress on both the animal and the minders, consequently enhancing health, comfort and productivity. Stress reduces the ability to fight diseases, gain weight and productive capacity. Facilities must be appropriate for the species, anticipated number of animals and the expected length of stay in order to ensure physical and psychological well-being of the animals. The design should also provide for proper sanitation, separation of animals by health status, age, gender, species, temperament, and predator-prey status integrating a relatively soft, clean, flat bed with good footing. This research has not been designed as a blueprint for all herd situations. Spaces for cattle rearing is used as a case study of this work and as a thought provoking instrument to allow for the design of the best-fit situation for individual farms taking into account existing waste management systems, type and availability of bedding materials in the area, cow and herd size and the potential for future changes. However, ventilation requirements in particular, need urgent consideration in all cattle buildings due to the direct and immediate impact on cow comfort and health, feed intake, cow cleanliness and overall production.

When thinking about the future of design and architecture, it is important for human thinking to consider other beings t...
11/08/2022

When thinking about the future of design and architecture, it is important for human thinking to consider other beings that are vital components of our ecosystems. The climate crisis and human encroachment have already laid waste to biodiversity around the world. As awareness of the interconnected nature of our ecosystems gorws, we are seeing an increase in animal conservation efforts and design interventions at different scales.
A smaller part of this affected community is insects and other winged creatures. Urban beekeeping and insect farming are emerging trends in recent years. Architects around the world are devising methods to preserve bird habitats and create products that minimize the harm done to them due to pollution and tall buildings. The following projects are just a few examples where designers have stepped in with proposals to foster human interaction with insects, birds and bats, creating safe environments for them to flourish.

Designing buildings for animals has prompted an extraordinary range of responses, from palace to cat flap, which say mor...
11/08/2022

Designing buildings for animals has prompted an extraordinary range of responses, from palace to cat flap, which say more about humans than the residents
In the early 1960s, John Lilly – doctor, psychiatrist and inventor of the isolation tank – built a house on the Caribbean island of Saint Thomas in which dolphins and humans could live together. The white, rectilinear, two-storey structure was equipped with a network of pools and channels and even a wet lift that enabled dolphins to swim around the building. The aim, bizarre as it may seem today, was to study how the animals communicated with one another, and from there to learn how humans might converse with them.
Despite gaining the support of eminent ecologist Gregory Bateson, who became director of the laboratory, and NASA, which contributed funding, the experiment went awry. Finding his subjects to be obstinately mute, the increasingly frustrated Lilly injected the animals with L*D and pounded the ground next to their tanks with a pneumatic drill in an attempt to jolt them from their silence. One of his collaborators, Margaret Howe Lovatt, went even further: she formed a bizarre attachment to a dolphin named Peter, with whom she would ‘communicate’ by painting her face white and her lips black so that they resembled a blow hole. She also regularly masturbated the animal.

The steel structure poultry house is flexible because different customers need different style. We help the customer des...
16/07/2022

The steel structure poultry house is flexible because different customers need different style. We help the customer design the structure to meet the detailed requirements; Also, we can design according to your drawing;
Prefabricated steel structures have the characteristics of cost-effective, reusable, easy to install, safe and environmentally friendly.

06/07/2022

Everything you need from intelligent feeding to energy-saving climate systems. Successfully in use on both family-owned farms and large farm complexes. Continuous service. From one single source. Experience since 1938. Delivery: 100+ countries.

06/07/2022

Slatted (Slotted) Floor System
In a slatted floor, iron rods or wood reapers are used as floor, usually 2-3 feet above the ground level to facilitate fall of droppings through slats. Wooden reapers or iron rods of 2” diameter can be used on lengthwise of the house with interspaces of 1” between rods.
Advantages
Less floor space per bird is needed when compared to solid floor system.
Bedding is eliminated
Manure handling is avoided
Increased sanitation
Saving in labour
Soil borne infection is controlled
Disadvantages
Higher initial cost than conventional solid floors
Less flexibility in the use of the building
Any spilled feed is lost through the slots
More fly problem.
Slat (Slot) Cum Litter System
This system is commonly practiced for rearing birds for hatching eggs production, particularly meat-type breeders. Here, a part of the floor area is covered with slats. Usually, 60% of the floor area is covered with slats and rest with litter. Feeders and waterers are arranged in both slat and litter area. In case of breeder flock, nest boxes are usually kept on litter area.
Advantages
More eggs can be produced per unit of floor space than all solid floors.
Fertility is better with the slat cm litter house than with the all-slat house.
Disadvantages
Housing investment is higher with the slat cm litter house than with the all-litter house.
The separation of birds from the manure beneath the slats commonly results in fly problems.
Cage System
This system involves rearing of poultry on raised wire netting floor in smaller compartments, called cages, either fitted with stands on floor of house or hanged from the roof. It has been proved very efficient for laying operations, right from day-old to till disposal. At present, 75% of commercial layers in the world are kept in cages. Feeders and waterers are attached to cages from outside except ni**le waterers, for which pipeline is installed through or above cages. Auto-operated feeding trolleys and egg collection belts can also be used in this rearing system. The droppings are either collected in trays underneath cages or on belts or on the floor or deep pit under cages, depending on type of cages.
Advantages
Minimum floor space is needed
More number of eggs per hen can be received
Less feed wastage
Better feed efficiency
Protection from internal parasites and soil borne illnesses
Sick and unproductive birds can be easily identified and eliminated.
Clean eggs production
Vices like egg eating, pecking is minimal.
Broodiness is minimal
No need of litter material
Artificial Insemination (AI) can be adopted.
Disadvantages
High initial investment cost.
Handling of manure may be problem. Generally, flies become a greater nuisance.
The incidence of blood spots in egg is more
Problem of cage layer fatigue. (It is a condition, in which laying birds in cages develop lameness. It may be due to Ca and P deficiency but the exact reason is not known)
In case of broilers, incidence of breast blisters is more, especially when the broilers weight is more than 1.5 kg.
Types of cages
Based on the number of birds in a cage, it is classified as
Single or individual bird cage (Only one bird in a cage)
Multiple bird cage (From 2 to 10 birds, usually 3 or 4 birds per cage)
Colony cages (Holding birds more than 11 per cage)
Based on the number of rows
Single-deck
Double-deck
Triple-deck
Four-deck
Flat-deck
Based on arrangement of cages
1) Stair-step
a) M-type cages
b) L-type cages
2) Battery cages (Vertical cages)
Based on the type of bird reared
Brooder / chick cages
Grower cages
Layer cages
Breeder cages
Broiler cages
1) Brooder cage / chick cage
brooder cage
Brooder cage
Specifications: Front feeding length : 60 inch
Front & Back height : 12 inch
Depth : 36 inch
No. of chicks (0-8 weeks) accommodated per box : 60
Chick cages are arranged either as single deck or double deck system. The feeders and waterers are arranged on outside. Now-a-days ni**le drinker system is followed from day-old itself. Newspaper may be spread over the cage floor for first 7 or 10 days. Feed is usually provided inside the cage during the first week of age.
2) Grower cage
grower cage grower cage
Grower cage
Grower cage
Specifications: Front feeding length : 30 inch
Front & Back height : 15 inch
Depth : 18 inch
No. of growers (9 to 18 weeks) accommodated per box : 10
3) Layer cage
Two types of stair-step layer cages are commonly used in open-sided poultry houses
Conventional cages
Reverse cages (Californian cages)
a).Conventional cages
Specifications for each box: Front feeding length : 15 inch
Front height : 18 inch
Back height : 15 inch
Depth : 18 inch
b).Reverse cages
Specifications for each box: Front feeding length : 18 inch
Front height : 18 inch
Back height : 15 inch
Depth : 15 inch
These cages can hold 3 to 4 birds. They are arranged either in 2-tier or 3-tier. A slope of 1/6 is provided in conventional cages, where as in reverse cages the slope is 1/5.
Advantages of reverse cages over conventional cages
More feeding space is available in reverse cages. So, all 4 birds can take feed at a time, where as in conventional cages, 3 birds can take feed and the other one is waiting at the back.
Number of cracked eggs is less due to lesser rolling distance.
Better ventilation in reverse cages than conventional cages.
Elevated cage layer house
The height of the shed is raised by 6-7 feet using concrete pillars. The distance between two pillars is 10 feet. Two feet wide concrete platforms are made over the pillars. When 3 ‘M’ type cages are arranged 4 platforms are needed. In case of 2 ‘M’ and 2 ‘L’ type cages are arranged 3 platforms are needed. When constructing platforms projecting angles or iron rods to be provided to fix the cages. The inter-platform distance is 6-7 feet depending upon the type of the cages used. The total height of the house is 20-25 feet and the width is 30-33 feet. This type of houses provides sufficient ventilation in tropical countries.

Although the term design has a broad meaning, it usually refers to the combination of the creative and technical part, s...
02/12/2021

Although the term design has a broad meaning, it usually refers to the combination of the creative and technical part, setting the basis of a project or an idea. Therefore, architectural design is considered the basis and the first phase before bringing the idea to reality. Under this lines, you will discover more about what architectural design is, its different types and some hepful examples.

What is the architectural design?
Architectural design is a discipline that focuses on covering and meeting the needs and demands, to create living spaces, using certain tools and especially, creativity. Therefore, the aim is to combine the technological and the aesthetic, despite the general belief that architecture is only a technological task.

In the same way, it mixes design, understood as the creative process, and architecture, which is based on the creation and presentation of solutions at a technical level. By mixing both disciplines, architectural design seeks the values and formal qualities of the works, through spatial experiences. In general, we associate it with drawings, sketches or outlines of a project, and it is one of its fundamental basis. In this aspect of architectural design, there are also other factors involved, that are related to geometry, space or aesthetics, among others. After all, architecture, and therefore architectural design, is made up of many elements and processes or phases.

25/09/2021

Architectural models have been used as study and presentation tools for centuries, a fact that Fankhänel barely acknowledges in her introduction. She is correct in pointing out that professional model builders emerged in the 20th century as specialists in their own right, mainly as a result of advances in shop technology and the spate of large-scale construction projects that occurred before and after World War II. Before that time, most models were made of plaster or wood, materials that were time-consuming to sculpt or assemble. Clay models were sometimes employed when only a crude massing study was required, but for presentation purposes, most architects relied on elaborate renderings in ink, watercolor, or soft pencil. Hugh Ferriss, the visionary renderer who is credited with introducing setback massing for tall buildings, worked mainly in charcoal. Other famous renderers, such as Jules Guerin, used watercolor and pencil on colored papers during the early years of the 20th century. Fankhanel underplays the fact that, prior to the 1920s, a number of American rendering specialists earned top dollar for creating elaborate presentation drawings for leading architects such as McKim, Mead & White, Daniel Burnham, and Carrère & Hastings. In England, Edwin Lutyens employed William Walcott as a watercolorist, while commissioning Twining Models, a subsidiary of a toy company, to make models of Liverpool Cathedral and the Queen’s Doll House.

As skyscraper construction flourished in the U.S., “delineators” were gradually supplanted by craftsmen like Conrad, Ramon Lester, and René Chamberlain, among about two dozen model makers surveyed by Jane Jacobs in Architectural Forum’s May 1958 issue. Magazines like Pencil Points (later to become Progressive Architecture) were cautious in discussing the worth of producing cardboard study models during the 1920s but got on the bandwagon once Corbett and other leading architects demonstrated the value of “selling” their schemes by presenting alternatives in model form, obviating the need for expensive renderings. Another advantage of models at different scales was their capacity for showing the entire building, not just one elevation or perspective view, during a presentation to a committee of executives or decision-makers. Fankhänel provides some wonderful photos of such presentations, including one of Gordon Bunshaft hovering over a model of the Connecticut General Life building in 1953.

Conrad was a pioneer who participated in an astounding array of key projects during his long career. He opened his own shop in 1931 and witnessed firsthand the modelmaking enterprises that arose around the 1939 New York World’s Fair, building the first model of the Trylon & Perisphere. During the war he was paid to construct a large model of a naval base; he also did prototyping for noted industrial designer Walter Darwin Teague. Working with photographer Louis Checkman, he developed a system for producing models that could be photographed from various angles, at several scales, resulting in a spate of magazine spreads that amazed publishers for their realism. His client list included Skidmore, Owings & Merrill, Wallace Harrison, Edward Durrell Stone, Marcel Breuer, and Minoru Yamasaki. He also made elaborate mock-ups specifically for publication in magazines, and for architectural exhibitions.

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25/09/2021

Bloomsbury, a relative newcomer among design publishers, has just released an informative study of one such master modeler, The Architectural Models of Theodore Conrad (1910–1994). He made models of many notable buildings, and his impressive effort for Skidmore, Owings & Merrill’s Lever House appears on the book’s cover, a tour de force that puts any of my own efforts to shame. The author, Teresa Fankhänel, is also a newcomer, and she has done a fine job of unveiling some of the mysteries behind how Conrad and his contemporaries worked their magic. Though she makes some erroneous pronouncements about the history of the period, her book is well worth reading. The archival photographs alone make it essential as a reference for anyone who wants to delve into midcentury modern architecture.

Like many influential artists, Conrad was born at the right moment, in the right place, and found abundant opportunities for success. Though he studied architecture at the Pratt Institute, his focus on wood and metalwork in high school provided him with the skills to have an immediate impact in an architectural office. His years at Dickinson High School in Jersey City were spent in applied arts classes, including painting, carpentry, and sculpture. While a student in Brooklyn, he was hired by Harvey Wiley Corbett, one of the key advocates of model making among U.S. architects. Corbett had been a principal in the group of architects that designed Rockefeller Center (Raymond Hood and Wallace Harrison were the other key figures). He advocated for building the study models that aided the designers in creating that masterpiece and later wrote extensively about how models could help represent large, complex building schemes to clients.

25/09/2021

Though I didn’t become an architect until the late 1970s, I remember that articles about architecture in Time, Life, Collier’s, House & Garden, and other magazines often showed building models that were just as realistic as today’s virtual renderings. I later learned that big architecture firms hired specialists to construct these elaborate mock-ups to convince their clients to spend millions on buildings that often seemed unreal in their visionary forms and materials. Without them, many of the era’s most celebrated buildings might not have been built: Dulles Airport, the Inland Steel Building, Lever House, the Museum of Modern Art. I’ve often wondered why there have been so few articles about these wonderful crafters and their work.

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