Harris Horses - horse riding holidays, SW France

Harris Horses - horse riding holidays, SW France Bespoke riding holidays, intensive and individual training. Very experienced horses to ride, with instruction from Johnny and Jackie Harris.

Welcome to the page for Harris Horses, giving the opportunity to riders of all levels to have an unforgettable riding experience in the heart of the Bordeaux wine region of France!

This is so true, solid basics are essential … sometimes to take a step back can mean 2 massive steps forward!
25/01/2025

This is so true, solid basics are essential … sometimes to take a step back can mean 2 massive steps forward!

This concept is third hand, in the sense that Jeffie Smith Wesson told it to me as something explained to her by Mr. H L M Van Schaik (photo)

So I may get Van Schaik’s message slightly garbled in translation, but the essence is that when someone goes to a riding teacher to get a lesson, almost invariably the teacher teaches the student where she is right now in her riding, rather than teaching her what she needs to be taught.

His point was that ideally and in theory the explanation of riding should begin at the beginning, and progress a-b-c-d-e-f-g and so on, but if a riding teacher actually took her students back to square one and filled in the holes in their basics, most students wouldn’t come back for many lessons. Too boring. Too basic. Too demeaning. Too lots of reasons.

And I do get that. I was thinking of a clinic, for example. Some clinician has been imported to teach riders she’s never seen, and into the ring comes a rider with an entire array of incorrect basics, wrong tack, wrong posture, wrong use of hands, wrong ideas, wrong attitude. And, yes, this DOES happen in real life.

So, does the clinician treat this rider like a total beginner and have her do nothing but walk while she attempts to explain where to begin? Nope. The rider would be angry because “she didn’t get her money’s worth” from the clinic.

So teachers like clinicians and those who have the once or twice a month haul in students are likely to mend and patch rather than to break down and start at the beginning and rebuild.

But the REGULAR instructor has a better chance of going step by step, if the student will allow it.

But that word “allow” is key, and reminds me of something said by Jack Le Goff, who, like Van Schaik, had been trained in the European military tradition. Jack said, “Americans don’t want you to teach them how to ride. They want you to teach them how to compete.’

What a fascinating story..
25/01/2025

What a fascinating story..

Almé was sired by the renowned French stallion, Ibrahim, and his dam was Girondine.

Girondine, a daughter of the Irish Thoroughbred Ultimate, not only produced Almé but also three full brothers who became licensed stallions or successful jumpers. Additionally, her daughter La Citadelle (by Jus de Pomme) was bred to Ibrahim, resulting in three exceptional stallions: Espoir (who was sold to Spain), Gibramino (sold to Belgium), and Quastor, who stood at St-Lô.

At the age of three, Almé was purchased by American Fred Graham. He began his training at Anaud Evain’s stud, Le Cour Bonnet, under the guidance of Captain Gruppelaar. While Almé was occasionally ridden by his owner, Michel Parot was his primary rider. Almé later competed internationally alongside François Mathy and Johan Heins.

During Almé's time at Zangersheide, the horses bred there were registered in the Hanoverian studbook. However, the influence of Almé's genetics reached Holstein, where they eagerly utilized stallions like Ahorn Z (out of the Holstein mare Heureka) and Aloubé Z and Athlet Z, both from Hanoverian mares of Gotthard lineage.

In southwestern Germany, Alexis Z, who is out of the Hanoverian mare Wonne and an international competitor with Peter Schmitz, achieved great success and was soon used in both Holstein and Hanover.

One notable issue with the Almé line is that many of his sons and grandsons, like him, are prone to scrotal hernia, and some have had a testicle removed after experiencing colic. Nevertheless, he is celebrated as one of Europe's all-time great stallions.

In the 2003 edition of Annuaire Monneron, Bernard le Courtois remarked on Almé's lasting impact, referring to him as the "father of world breeding."

“It is obviously no surprise to see that the line of Ibrahim is influential in French breeding. Almé’s line is becoming increasingly important in many great breeding countries as could be seen during the World Championship in Jerez 2002. I have received from the USA an analysis of the results, which I find interesting and would like to share with you. Among the 92 horses participating, the division between the sexes is relatively well balanced: 32 uncastrated males, not all of them stallions, 34.8%, 31 geldings, 33.7% and 29 mares, 31.5%. Five stallions had more than one product: Quidam de Revel (5), Capitol I (4), Le Tot de Sémilly (3), Robin Z and Touchdown (2 each). Quidam, Robin and Touchdown are grandsons of Almé and 21 horses in the event (22.3%) were descendants of Almé. At the end of the speed class and of the Nations Cup we could count among the Top 25: 10 stallions, 7 geldings and 8 mares; 9 of them came from Almé (36%). When we arrive at the Top 10 (after two rounds of the individual championships) we find ourselves with four stallions, one gelding and four mares, four of them from Almé (40%). The four horses in the final (where the riders swapped horses) comprised one stallion and three mares, three of them from Almé, 75%! If we were to draw some preliminary, hasty, but nonetheless interesting conclusions we might suggest that if we want to produce horses of high quality the best way would be to invest in mares coming from our leader of the dynasty, Almé. One thing is sure and certain, and that is that Almé remains a valuable asset in the pedigrees of our sport horses. And everything comes together when we remember that the best six year old in Europe this year – Mozart des Hayettes – had Almé twice in his pedigree.”

It was Bernard le Courtois, who single handedly returned Almé from Zangersheide. On his website, www.brullemail.com, he has this wonderfully impassioned account of how he brought Almé back to France:

“The French breeders and riders became aware of the enormous loss represented by Almé’s exportation, but few breeders were prepared to go abroad to have their mares covered. However some made the effort in 1991 and thanks to them we have several five and six year olds in competition. In the meantime Almé had been operated on for an inguinal hernia and in 1984 became mon-orchid. The Dutch then sold him and he returned to Belgium.”

“But what, I hear you say, were the French doing? What were they waiting for to bring their stallion home? Particularly when they had several opportunities to do so.”

“An offer had been made by the UNIC on behalf of the National Stud Farms, I remember the offer being F350,000. A ridiculous sum (double the price of a 3 year old at the St Lô Stallion sale) for the best stallion in the World, even if he was 18 years old and mon-orchid.”

“At the time I was the Chief Editor of the magazine L’Eperon. I had heard of this offer and of Almé’s return to Zangershiede, and decided to go there myself to see this dream stallion at last, having been too young to have seen him in France.”

“So I went to Belgium, between Liege and Aix La Chapelle, and realised that despite his age and far from calm life, Almé was still an admirable horse. I also learnt that two offers had been made for him, not from France, but by Americans and Venezuelans. On one side there was an offer of big shiny dollars and on the other, thousands of acres of Pampas.”

“What could I, a modest stud farmer, a passionate but poor breeder, do faced with such superpowers? I knew no rich patron as fanatic about breeding as myself and no bank would have lent me enough money to repatriate Almé. But the idea became a target and then an obsession.”

“A few months beforehand, on my return from the Olympic Games at Los Angeles, I had managed to retrieve a 17 year old stallion I liked a lot, the Thoroughbred, Laudanum. He had been forgotten and sent to the south west of France and had only covered nine mares in all in 1984. To acquire him I had applied a principle common to the racing world, ie. sale to Shareholders.”

“Laudanum’s syndicate had succeeded and the following year he had covered 63 mares. Pleased with my success I decided to use the same principle to save our genetic heritage and bring back Almé to French Breeders. Negotiations were long and difficult. I often grew depressed about the attitude of the people I was dealing with, who did not keep their word and refused to sign any contract.”

“The 1985 breeding season was wasted for us, Almé stayed in Zangersheide.”

“The Americans were willing to pay a lot of money for Almé. It should be remembered that his son, Galoubet, had been bought by syndicate in the USA one year before, for the sum of $2,000,000. At a time when the dollar was worth 10 Francs, this represented 20 million Francs. They could afford to be stubborn. However Almé’s weaknesses were to my advantage. I won the first round of the fight. Almé could not go to the USA because he showed positive on a biabose test. Unwilling to give up completely the Americans decided to leave Almé in Belgium and import his frozen s***m. Second round won, Almé’s s***m could not be frozen!”

“The Americans gave up the fight leaving the Venezuelans and their acres of Pampas. Here dialogue won the day. To export a stallion like Almé to South America was nothing less than a burial. I was left with three points to argue with: French breeding, international commerce and the financial structure that was to repatriate Almé.”

“The person with whom I was negotiating accepted the principle but still would not sign the contract allowing Almé’s return. Negotiations had been going on for nine months. I was furious and about to abandon the idea when, whilst at the Fontainebleau European Championships in 1985, I issued a deadline. After several heated discussions I left Fontainebleau with my contract signed.”

“Almé was to return to France. His official comeback was to be a month later at the Dinard European Championship. My incredible gamble had been won, I announced in the magazine Almé’s amazing and unhoped for comeback.”

“Almé’s comeback must have disturbed quite a few people. I heard so much rubbish, either directly or repeated to me, from people who are meant to be authorities in the horse world and who I believed to be intelligent or at least reasonable.”

“According to them Almé was little more than a rocking horse, and sterile to boot! Obviously, as a tenderfoot, I was made out to be a fool, if not worse.”

“However Almé’s presentation put things in place and silenced more than a few. Almé, then 19 years old, was on dazzling form. I’ll always remember his presentation and the admiring gaze of hundreds of people passing the message, ‘It’s Almé’.”

“Accompanied by Handel’s magic Saraband, Almé made his comeback on the grounds at Dinard in front of thousands of spectators entranced by his beauty and the charisma of the horse whose reputation was at its peak.”

“I admit that the emotion brought tears to my eyes. A moment of great satisfaction and pleasure: pleasure in the beauty of the scene and the satisfaction in the work accomplished. False modesty aside I was also very proud.”

“The follow up was just as exciting. Shares in Almé were a great success. There were 70 – 80 shares for sale at F20,000 (today this seems cheap but in six years horse prices have greatly increased). Within a few days all the shares were sold and the money raised to buy Almé.”

“In the space of a few weeks I received almost 400 requests to buy shares. Real Almé fans contacted me unfortunately too late. Every day I had to return cheques arriving too late. Some were even signed blank accompanied by a note to say: ‘I’ve heard that Almé is for sale to a syndicate, I don’t know the conditions but please keep me one or two shares and fill in the enclosed cheque’.”

“Incredible, this enthusiasm and confidence were a great comfort to me. It was without doubt this owners association which made me decide to make the move to Normandy and set up as a stallion breeder.”

“During 1986 – 87 Almé’s fresh s***m was used for artificial insemination, 100 mares per season. Mares came from all over France as well as from Belgium, Holland, Great Britain, Switzerland and Italy. In 1988-89 I limited him to 80 mares and in 1990 to 60 because of his age and state of health. Out of the 420 mares covered during five years, with an average fertility rate of 78%, many products were exported and roughly 20% of the mares covered gave birth abroad (foreign mares or mares in foal exported) added to these are the dozens of Almé foals of all ages exported to Italy, Belgium and Sweden over the past five years…”

“It should also be noted that Almé foals are not precocious, needing to be patiently conserved and not shaken around at the age of four. Observe their elders, Galoubet, I Love You or Jalisco who were hardly out at the age of four. Only at five years old were they beginning to be noticed. The future will smile at those who are patient with their mounts. However despite the numerous exports and mares kept for breeding at three years (some of whom will appear the late five year olds next year) there were 12 Almé products in the 1991 Fontainebleau final.”

“Almé, once named by a journalist the “Golden Goose” was retired in August 1990.”

“It gave me the great satisfaction to see him finish his days with me at the Brullemail stud farm. From my office, where I sit to tell you this story, I used to see his head over his box door every day, so expressive despite his age. I could hear his high pitched neigh, so unusual, like a dolphin, as the mares crossed the courtyard or came in from pasture.”

“His deteriorating health over the last year had pushed me to put him into retirement. Despite an excellent appetite Almé grew thin, like an old man living slowly between the fireside and the window. He was saving himself and would enjoy his daily outing on the lawn while the lad cleaned his box.”

“Almé led a full life through breeding and sport. His glory crossed frontiers and his name is honoured in equestrian countries world-wide. The only horse with a comparable family tree and with whom he has often been compared is Northern Dancer. Almé’s legacy is already assured by the extraordinary quality of his sons, already working stallions, and will gain from the arrival on the sports field his five new generations.”

“Today Almé is the only stallion in the World to have fathered two World Champions and three Olympic horses. During the Eighties an Olympic team could have been made up of his sons alone. Only Furioso could have done that in the sixties. In 1991 Jalisco may hope to do as much, being a product of both Furioso and Almé.”

“1990, the year in which Almé retired was also the year in which Eric Navet won the title of World Champion with the young stallion Quito de Baussy, a grandson of Almé. His blood lives on.”

“Almé will always be the stallion of the century. I am always touched when I think or talk of him. For a breeder it is fabulous to encounter such a horse during a career. I thank my lucky stars for such joy and satisfaction.”

“But memories are not enough. The future has to be prepared; breeding is a long daily task. The new generation has to be prepared, new progenitors found and maybe one day I will meet the stallion of his calibre, his brilliance and strength who will go to make a phenomenon such as Almé.”

In the 2007-2008 edition of Monneron, Bernard le Courtois, after spending many hours on his computer, produced a list of the top 75 jumping stallions in the world, on the basis of the FEI list of the top 2515 jumping horses in international competition. This survey once again, confirms Almé’s pride of place, for he is responsible for 17 of the 57 leading stallions on the leaderboard. Four of these stallions are by Jalisco, the most important of which is Quidam de Revel, who heads the standings with 48 representatives. Quidam himself already has two of his sons on the leader board, Nabab de Reve and Guidam. Another Jalisco son, Papillon Rouge is ranked equal sixth in the world with 26 winners. Jalisco B, despite his death at a relatively young 19 years of age, is in 30th place on the leaderboard with 10 representatives.

Almé was also influential in Germany and The Netherlands. His grandson, Acord II (by Ahorn Z) is in 13th place with 16 winners. In Holland, Almé’s son, Animo is 19th with 12 winners. Animo’s son, Andiamo Z is ranked 64th with 5 winners.

At the London Olympic Games in 2012, the legacy of Almé and his sire, Ibrahim, was much in evidence.

The list of Olympic showjumping nominations showed 10 progeny by the Almé grand son, Baloubet du Rouet, double the next best tallies – 5 each for Darco and Quick Star. Not all these nominated horses actually made the teams for London, but in a way, I feel the nominations are perhaps a better source of data for the breeding enthusiast than the final teams’ lists, which are perhaps more influenced by the skill of the rider.

The nominations underscore the ongoing importance of the stallion Almé, the grand-sire of Baloubet, although perhaps we should go one generation further back to Almé’s sire Ibrahim, arguably the greatest of all jumping sires, since we see his influence not just through Almé and his sons (particularly Quick Star, Skippy and Jalisco) but also through his other stallion sons, like Fleuri du Manoir, dam sire of Vigo d’Arsouilles, and a relative newcomer, Tangelo van de Zuuthoeve who is by Narcos II whose great grandsire on both his top and bottom lines is Ibrahim, with a further cross of Ibrahim on his dam line, through Almé once again.

The legacy of Almé’s time in Zangersheide continues with his son Ahorn Z, the sire of Acord II, in turn the sire of Arpeggio with three and Acorado I with two and Acacio, Araconit and Atlantic all with one representative.

The other stallion discovered at Zangersheide and spirited away to Holstein by Maas J Hell, Athlet Z, is represented by his son, Adelfos.

Almé’s Dutch family also makes an appearance, with his grandson, Andiamo, via Animo, providing two entries.

Only two stallions managed to put more than one horse into the final top 22 that fought it out for individual honors at London: Baloubet du Rouet sired Rahmannshof Bogeno (dam by the Dutch stallion, Elanville) and Napoli du Ry (out of an Oldenburg mare, by Silvio I). Quick Star had two, Big Star and Star Power with Quick Star’s son, Obos Quality contributing another, Castlefield Eclipse. But really it was a triumph for Almé and his son, Galoubet who sired both of these stallions. Interestingly, both the Quick Star stars bear the KWPN brand. Big Star’s dam is Nimmerdor / Ramiro, a mix of two of the great Holsteiners who came to The Netherlands, while Star Power is out of a Calvados / Le Mexico mare – two influential French imports to Holland.

There was further Almé influence through another son, Jalisco, sire of Quidam de Revel in turn the sire of Dollar de la Pierre, sire of Rebozo. Quidam was also the sire of Nabab de Reve, sire of silver medallist, London.

Nabab is also the dam sire of Hello Sanctos (by the Heartbreaker son, Quasimodo vd Molendreef). Almé also featured in a somewhat more tortuous way in the pedigree of another of the top 22, Temple Road, by Antaeus by Acord II by Ahorn Z – a product of Almé’s stay at Zangersheide.

10/01/2025

❎❎Game-Changer for Young Horses: Minimum Age for Grand Prix RAISED! ❎❎

Huge news for the future of dressage! The Danish Riding Federation has officially raised the minimum age for horses to compete at Grand Prix level—a move that’s a win for young horses everywhere! 🌟

Starting 2025, horses must be 9 years old (instead of 8 )to compete in national Intermediaire II and Grand Prix classes! 🎉 This gives young horses the time they deserve to mature, develop their skills, and enter the big leagues when they're truly ready—no more rushing to the top too soon. 🐴💪

🔑 What this means:
Horses can now start competing at the big tour level in the year they turn 9, which means for 2025, only horses born in 2016 or earlier are eligible for Grand Prix.

👉 The best part? The pressure is off for those 8-year-olds who can now focus on Intermediaire A and B tests, giving them time to shine without the grind.

This is a positive shift that allows for healthier development, longer careers, and fewer young horses pushed to perform too early. 🌱💚

FEI’s age limit is still at 8, but with the European Equestrian Federation pushing for change, could this be the start of even more positive changes for young talent in the sport? 🤩

Let’s hear your thoughts—is this a win for young horses? Drop a comment below! 👇

03/01/2025
What a wonderful interview…a true horseman and trainer..
31/12/2024

What a wonderful interview…a true horseman and trainer..

A RECAP ON AACHEN 1995. THE BEGINING OF THE SLIPPERY SLOPE TO WHERE WE ARE AT NOW.
Susan’s Interview with Dr. Reiner Klimke At the Aachen CHIO
July 1995
Susan: I was watching you as you schooled Biotop in the indoor arena this morning, and it was wonderful. I noticed you were working him in a fat snaffle, and I wondered if you could talk about the importance of working in the snaffle for upper level horses.
Klimke: I ride at home only once a week on the double bridle.
Susan: Do you mean for most of your Grand Prix horses, or for this one especially?
Klimke: All. I want to have them very light in my hand. It is easier when they are really "through", and they take the bit and take your hands. Then they are not afraid to come out to the double bridle.
Susan: Biotop seems to be very "out" to the bridle--there is not a lot of overflexing. Klimke: And when he goes in extensions, the neck and frame extend too. And yet there are
horses who make their extensions with overflexed necks and they score just as well... Susan: Can you explain that?
Klimke: Well, when I tell you this, I don't want to sound jealous, but I live for classical riding. Classical riding means that the horse must go: that is, the energy must come through and the horse reaches forward. But the judges don't always mark accordingly. I don't mind; I know what is right. I have been in this sport for nearly 40 years.
Susan: I also saw today that you were doing a lot of work on the basic paces, and simple transitions.
Klimke: Yes. The horse must go forward and he must be happy. If the horse is happy and he trusts you, then you can teach him. If you punish him, that is wrong.
Susan: They never forget. Is there any place for punishment in riding?
Klimke: I hate to punish a horse. It must not be. It can happen to anybody. Sometimes you lose your patience, you try to make the horse a slave. But it is not right. Sometimes you see riders blowing up, even here, with top riders. I say to myself, "Poor horse, I wouldn't like to be in your stable."
Susan: Why does it happen? A lot of these riders will teach and talk about riding classically, and mean to do it, but then it is different here. Is it the pressure?
Klimke: I think everybody wants to win. Perhaps they think if they make a horse tired it will be submissive. Sometimes it may work, but if you really look you can see what is wrong. Some judges don't have a really good eye, and they judge by punishing mistakes, like too many or too few strides in a pirouette, for example.
Susan: Too much counting and not enough...
Klimke: Yes. The principle is: how is the walk, how is the trot, how is the canter, how is the acceptance of the bridle, how does the back work--all of these things. And in addition, the figures. But they deduct too much if a figure is not 100% okay. You see? If you make a pirouette and the horse really uses his hindquarters, and maybe the pirouette is a little big, you should not be given a 5.
Susan: That's a little extreme.
Klimke: Yes. It can be at least a 6, can also be a 7, when the horse really canters classically. Even if the circle was too large, remember that you must deduct from 10. The judge must be able to see the main achievement of a horse and rider, in a movement.
Susan: This brings up another question, and that is--there are some amazing equine athletes here, and some of them get a lot of points because of that. Where are the places in the Grand Prix test where the talent can't cover up the problems with the training?
Klimke: I look only at the way that the horse moves, in all three gaits. He must come from behind, with a swinging back. The head and neck must seek the bit. I hate it if the horse comes behind the vertical and stays there. When the horse is really "through", you must be able to open and close the frame, and keep him reaching into the bit. And right now, in the judging, in my opinion, this doesn't count for enough. But sooner or later, good riding will be rewarded. You must not lose your patience, you see. And don't give up.
Susan: I know that an international horse must have talent for piaffe and passage. At what point in a horse's life can you tell if that talent is there? Can you tell at the very beginning of training?
Klimke: No. But when you can easily do transitions with the horse--when he shows the ability to sit back--and the half halts go through, I like to see that. And there must be the desire to do the piaffe.
Susan: Whose riding do you admire? Klimke: Right now?
Susan: Past or present--anybody.
Klimke: Okay. Nicole in her best time was very good. Of course, now
her horse (Rembrant) is 18. But look back to Stockholm (World
Equestrian Games, 1990) or Barcelona (Olympics, 1992). It was just the
right, wonderful picture. Nice hands. Coming to nearly invisible aids.
There are some other riders who are very good in a test--it is fantastic.
And when you see the same person training...well if somebody else
would do this, then the vet would probably say, "Come on, not here."
But they laugh and say, "So what. We're winning." Riders who ride for medals must try to be an example for classical riding. It is their duty. You cannot talk one way and ride another. Either you talk as you ride, or you explain why you don't.
Susan: Do you allow people to watch you school your horses at home? Klimke: Absolutely. I have nothing to hide. I have seen riders make a fuss about spectators being allowed to watch the schooling at the World Cup Finals. This is wrong. The best thing for the horse is the open door.
Susan: What's wonderful is that you have demonstrated that classical riding can win. Klimke: And I will not stay away from it.

20/12/2024

The Legendary Trakehner Stallion, Abdullah: A Champion of Showjumping

The equestrian world has witnessed the rise of many remarkable horses, but none quite as legendary as Abdullah, the esteemed Trakehner stallion. Under the masterful guidance of rider Conrad Homfeld, Abdullah soared to great heights in the world of showjumping, leaving an indelible mark on the sport.

Abdullah's story is one of unparalleled athleticism, grace, and sheer determination. Born with exceptional bloodlines and an innate talent for jumping, he quickly caught the eye of Conrad Homfeld, who recognized his extraordinary potential. Under Homfeld's expert training, Abdullah blossomed into a formidable competitor, renowned for his remarkable agility and unwavering spirit.

Together, the pair achieved numerous victories, captivating audiences and fellow competitors with their seamless performances and undeniable chemistry. Their crowning achievement came in the form of the individual silver medal at the 1984 Los Angeles Olympics, solidifying Abdullah's status as one of the most iconic showjumping horses of his time.

Beyond his competitive prowess, Abdullah also made a lasting impact on the Trakehner breed, serving as a beacon of excellence and a source of inspiration for breeders and enthusiasts around the world. His legacy continues to live on through his offspring, many of whom have inherited his exceptional talents and continue to excel in the sport.

Abdullah's impact on the world of showjumping is immeasurable, and his name remains synonymous with greatness and achievement. His story serves as a testament to the enduring bond between horse and rider, demonstrating the remarkable heights that can be reached through partnership, dedication, and an unwavering spirit.

As we reflect on the illustrious career of Abdullah, the Trakehner stallion competed by Conrad Homfeld, we celebrate a true champion whose legacy will continue to inspire generations of equestrians for years to come.

19/12/2024

David Broome is a show jumping legend who delighted British fans when he won multiple competitions, including two Olympic medals, over a career spanning three decades. He's still the only male rider to have won the British National Championship a record six times!

His tally of trophies also includes six victories in the King George V Gold Cup, two individual gold medals and one team gold in the Men's European Championship, and five medals in the World Championships in both the team and individual events.

Broome was born in Cardiff, Wales, in March 1940. His show jumping aspirations were always supported by his father, Fred, who was instrumental in his early career. By the time he was 19, Broome was already the top earner in British show jumping.

In 1960, Broome competed in his first Olympic Games, winning the individual bronze medal with one of his most famous horses, Sunsalve, at the Rome Olympics. The same year, they also won the King George V Gold Cup at the Royal International Horse Show and the show jumping Grand Prix, held in Dublin. Broome also enjoyed one of the most iconic moments of his career, after he was voted the BBC Sports Personality of the Year by the British public.

When the trophy was presented in the BBC studios, he didn't know there was a special surprise awaiting him. His family had liaised with the production team to arrange to have Sunsalve in the studio! The special horse was led out on to the stage to join the celebration and to receive the accolade he richly deserved. Broome was visibly thrilled and mounted his Olympic horse. They rode offstage together to loud applause from the delighted audience.

In 1968, Broome won his second Olympic bronze medal, riding Mister Softee at Mexico City. Mister Softee was another famous horse ridden by Broome for many years. He is described as one of the greatest show jumping horses of all time. He was owned by the Massarella family, from Doncaster.

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