What is contact? some thoughts:
The work in hand position was the most difficult for Minor. For some reason, he didn't feel good in it. He either tried to run, pushed his nose down, or pushed at me with his shoulder.
In the beginning, I only worked in it very shortly, like 10 seconds. And I hunted for moments of relaxation and acceptance. I mostly just walked by his side and didn't really ask anything.
Now I can slowly work in this postition for longer and we can talk about "content". Right now, I'm working on the side movements in this postition, in walk and trot.
This is a short clip of today's session. Some collected trot and then a more forward, but still controlled trot (that took a lot of work ;) ). At the end you see Minor asking for a break. He is looking away obviously. That's how he tells me when he's had enough. I hear him and take a break.
Some might say: but that teaches him to look away all the time so he doesn't have to work! No, it doesn't. It teaches him that I hear him and that he has a say in his education.
We have lots of biting flies, that's why the tail swishing.
#acdemicartofriding #workinhand #powerpony #bentbranderuptrainer
A short snippet about our current work with the school halt.
At the moment I practice to stay just a split second longer in the school halt to start building up strength. I try to pay attention, that Minor keeps the shoulder lifted and stands in a way that would make a transition possible, for example into half steps or school canter.
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This video shows some good moments and some things that need improvement. What Minor does very well by now is to “step into the halt”, meaning to position his hind legs under the hip so that the joints are in good alignment and can bend.
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Then you see him going out of the halt by pushing his center of mass on the shoulder. When I remind him to stay in the halt, he follows my aids very lightly, but the position of his hind legs is slightly off (inside hind leg should be positioned slightly forward). Not a big problem, it would probably just lead to him picking up the wrong lead in a transition to canter.
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Then, when I ask him to keep it just a little longer, he steps backwards out of the halt, but I can correct the center of mass backwards, too, so that he finds good alignment again.
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The work with the school halt is really interesting and I feel him building up strength through that.
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Interested to start working with the school halt? I have a whole series about the school halt in my classroom, plus full length training sessions with Minor which show the work with the school halt. Link in bio 🌹
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A small snippet of work in hand with Minor today. I'm practicing to regulate tempo and going in and out of collection.
Once I have to ask him to lift his head a little to rebalance the center of mass, otherwise he gets to heavy on the shoulder.
Very happy with our progress <3
#pferdeliebe #horsetraining #pferdeausbildung #artofriding #akademischereitkunst #ponyliebe #dressagehorse #horselover #academicartofriding #bentbranderuptrainer #workinhand
Some short footage of my work in hand session with Minor today 🥰
Right now I'm working on a more precise response to the aids, particularly the right rein (both as an inside and an outside rein) and the aid for inside leg (bending around).
Work in hand hasn't been that easy with Minor and he didn't like the work in hand position at all in the beginning. Now I'm even able to work in trot for a bit longer, which was not possible just a few months ago.
I loved how well he listened today and that I was able to bring him back from a fast trot when he wanted to "do his thing", which is something he does when he looses his patience with me ;)
*** Full video of today's training session in the classroom! ***
How to change rein when riding with the reins 3:1 (and not get a big knot 😆)
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Riding with 4 reins needs some getting used to. Especially a change of rein can be a serious coordination challenge ;)
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In the academic art, it's customary to hold the reins 3:1, meaning we hold the outside cavesson rein and both curb (or bosal) reins in the outside hand and the inside cavesson rein in the inside hand.
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Here is how you can change reins:
1. Change the whip over
2. Put all reins in the outside hand (meaning put the inside cavesson rein in your outside hand as well)
3. Take the other hand and grab all reins (from the top)
4. Separate the inside cavesson rein and the whip.
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Have fun trying it out!
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This clip is part of my webinar about the secondary aids. You can still buy the recording (3 months access). Link in the comments!
Playing with collection in the longe, May 2024
Don‘t be attached to the result.
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So many of us are fixated on outcomes in the training with our horses. We want to canter, learn piaffe, do school halt. I think this constantly makes us think about the future and miss out on what happens in the moment.
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I believe that being attached to training results is not good for our soul and we miss out on what is really and deeply meaningful.
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Being attached to the result makes us skip steps and it makes us very unhappy, because most of the time, the result we are fixated on can’t be reached in a short period of time.
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I remember one of my earlier lessons with Bent Branderup in which he told me: Don’t work the exercise - work the content of the exercise!
I thought this was one of the most important pieces of advice ever given to me.
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So as I am training towards piaffe with Minor, I try to let go of my attachment to the goal and try to train for content, not for the end goal.
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I try to train for balance, lift of the chest, bending of the haunches, and we have conversations about tempo and rhythm.
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Every once in a while, I get impatient and get fixated on the result. I get attached to a time line. As soon as I realize, I try to let it go.
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When I’m training for a result, it’s usually not a good training session.
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When I train for content, and for connection, it is always deeply satisfying, no matter what we did. Training for content and connection feels authentic and meaningful.
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Some short video clips of my training with Minor today:
1. Playing with rhythm and tempo in trot. When the horse knows school walk, it’s no problem when he falls into walk, because it’s still diagonal and you can just pick up the trot again.
2. Transitioning from walk to school walk, taking up the rhythm into trot with one, to piaffe steps, back to school walk, walk.
3. In between school walk and half steps
4. School halt
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Not everything is 100% correct. But I loved the connection between us and how much he
I promised to share a bit about my training week with Academic Art of Riding by Bent Branderup :)
Right now, I'm developing the work in hand with Minor and the training sessions with Bent were about the bending of the haunches in the different gaits. We worked with school walk and school trot, sometimes getting a few piaffe steps.
We played with the separation of tempo and takt/ rhythm, so that I can take up the rhythm from a school walk into piaffe, so getting a faster rhythm without increasing tempo/ speed. On the longe, Minor does this already quite well, but in hand it's still a bit challenging. I thought there was a nice process though, and we got lots of homework.
So I will be playing with transitions from school walk to trott/ piaffe and releasing him forward when it gets too much, and also taking back the tempo from trot but keeping the rhythm. It's really an advantage when the horse can do school walk, because then he just goes into school walk when it gets too much, and you can take up the rhythm again.
For the school halt and levade, my homework is to watch out that the underneck stays relaxed and I get the C5 into the halt.
It was a lovely week, as always, and I'm just so grateful for Bent's support!
Unfortunately no footage from last week as I did a stupid mistake and pressed the wrong button/ deleted all files on the SD card... This little snipped of a school halt is from today.
When your horse is struggeling with bending on a circle, try to explain the rein aids better. Many riders have never taken the time to school a soft response from an inside rein and just assume horses just know what is meant. They don't.
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If we apply pressure from a rein, horses often just hold against. If we keep doing this, we actually "train" it, including the wrong muscles in the neck.
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Try to school a soft response in the standstill first before you use the reins in movement!
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I just released three new videos about bending on the circle in my classroom. Link to join in bio!
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#dressage #akademischereitkunst #dressurpferd #artofriding #academicartofriding #bentbranderuptrainer
I would never get on a horse that doesn't stand still for mounting.
When I was 18, I fell off a young, nervous horse and broke my spine. The horse was ridden in too fast and without any consideration of how he felt about it. He was a 3 years old, still quite immature Frisian gelding. He was sent away to be "broken in" and he was very anxious about it.
When he came back after three months, he was a different horse. At the time, I took care of him and two other horses of the owner. I had instructions to only work the young gelding after giving him his "powder" - a calming medicine. I was supposed to pick up where the trainer had left off and ride him.
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Already back then, I could feel the horse's stress and I asked the owners if I could work with him from the ground first, so that we can build up a relationship. But they wanted me to ride.
One of the things I was told about the horse was that I had to be quick when getting on because he would immediately start to trot. And that's what he did. I had barely swung my leg over when he took off, despite the owner trying to stop him from the ground. I had only one stirrup and lost the other after some minutes of trot and canter. After the gelding changed direction in a fast trot, I just fell down. It wasn't a spectacular fall but it was enough to land me in hospital.
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Today, I would never get on a horse that doesn't stand still for mounting. For me, it's a sign of stress and that something in the riding in process was done too fast. It might have been tension rising due to saddling, or tightening the girth, or parking at the mounting aid, or seeing the rider standing on the mounting aid, or feeling the weight on the back. It might of course also be due to ill fitting tack or pain.
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In any case, take the time to go through all the steps carefully and look for signs of tension. Often, it's enough to just give a little bit more time.
Minor and I have plenty of time and he does a great job standing still and let
Minor and I had a lesson with Bent this morning. It was rather dark and windy as hell. But I was still able to show bent our progress from last time.
#academicartofriding #bentbranderuptrainer #longieren #horselover
Practicing to keep the school halt a bit longer with Minor and paying more attention to how he lands after the levade 🔥
Minor loves levade and is always very motivated 😁
Had a super lesson with Christofer Dahlgren today, talking about lots of interesting stuff!
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Want to know how to develop the school halt? I have a series of 17 videos about that in my classroom! Link in bio 🌹
I just came across a post in a group in which someone showed their work in hand. The young woman was trying to work some collection. She pulled the horse in the mouth with the bit to slow down and beat it in behind with the whip to keep up the rhythm, with is unfortunately what you mostly see when people work collection in hand.
For me, collection is a play with speed, rhythm and swing. You absolutely need to have aids at your disposal to communicate with the horse, and not just push and pull! This will rather frighten your horse or make it angry. You will get tension on the place, but not collection!
I have attached a bit longer video of working collection with Minor on the longe the other day. For me it’s important what I can go smoothly into and out of collection, and that I can decide if I want more or less collection. And that I can have clear basic gaits, as well as pick up energy and have calmness again. More on the place is not better, on the contrary: Thinking too much on the place makes the horse heavy on the shoulder.
It’s winter, so Minor is a bit fresh right now, giving me the one or other head shake because he would rather like to run a bit ;)
Want to learn collection step by step and build up a good foundation? Join my classroom! There are over 180 videos on teaching aids, school walk, school halt, side movements, and lots more. Link to the classroom in the comments!
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Collection in Hand with Minor
A lot of collection is worked with too little forward energy, which makes the horse stuck on the shoulders and sticky in transitions.
I see collection as a process in which there are many elements to balance. Shape, balance, suppleness, as well as tempo, rhythm and swing. Often, we are focused too much on tempo (making it as slow as possible/ as much on the place as possible) and don’t pay attention to chest lift and activity in behind, so that we loose most of the other elements.
I slowly work towards more collection with Minor, meaning working it a bit more on the place with less forward motion (but keeping the forward step), slowly working towards piaffe. It will be a process, of course, especially because I don’t want to sacrifice that nice lift in the shoulders for more “steps on the place”.
Today Minor was full of energy and that work was not so easy. He can already do a lot more when he is calmer and listens better. But I don’t force him to do more than he can on days like today. That it’s sometimes better and sometimes worse just shows me that we are working in his stretch zone and sometimes he finds it easier and sometimes difficult. The video is of our work in hand session today.
I’m filming the process of developing the piaffe with Minor for my classroom, and the first videos I made about this topic today will get uploaded in the classroom today.
My classroom is a growing video library about the art of riding with 180+ videos already, with more added each month. For about half the price of a lesson, you get access to lots of training videos and theory lectures. Link to join in the comments and in bio!
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The whip can be a very fine instrument for communication. When working with the school halt, I like to use it in a brushing manner in order to bring more awareness to the horse's hind quarter.
I also prefer to use a wooden whip, in this case hazelnut, because it transmits the impuls I want to give exactly as I give it with my hand. Plastic whips can be too flexible, which might lead to the impulse being stronger than you wanted.
Remember: if you want to hit your horse with the whip, rather consider buying a bicycle ;)
#academicartofriding #bentbranderuptrainer #groundwork #fairtohorses
Using body language and mental picture to teach a horse the cue for haunches-in on the ground 🤗
We often see that haunches-in is being taught with pressure from the whip. I like to do just the opposite: I draw the horse towards me by taking the whip away. My mental picture is that of fishing or that my whip is magnetic. Try it out! And you have the added benefit that your horse will rather be curious and think than just react in a tense way.
This is sample content from my video library, the Art of Riding Classroom, in which I already shared over 160 videos. Link in the comments!