07/14/2023
Riding a horse is easy.
Training a horse is easy.
Both of those statements are true. It's easy to get on a horse and ride around, just the same, it's easy to train a horse to react to cues.
Riding and training well, with the specific intent of benefiting the horse both physically and mentally, building longevity through thoughtful, ethical and biomechanically sound methods is what is difficult. Made even harder by the fact that many have not seen or felt a correctly moving horse during their riding lifetime, or had coaches with the knowledge/skills/desire to create better horses through developing better riders.
A lack of qualified individuals, along with the time pressures of competition and just human ego push horses beyond their limits too fast and quickly revert to the use of harsher tools and methods to "tame" the "naughty, spiteful horse" and bully them into submission.
As an industry, the focus has shifted away from correct to flashy with little to no consideration on the physical impact of these hypermobile horses. When riding is no longer looked at as an art, as a lifelong journey, then it only makes sense that the degradation of the standards in what we consider correct riding cause the gradual decline of the industry, with it being most prominent in the show and training rings.
We, as an entire community, need to begin looking at riding as beyond simply sitting on a horse and making it do what we ask. Instead of only focusing on the horse moving off cues, we must look at the quality of movement offered, both from ourselves as riders, and our horses. A horse can move off the leg in many way - heavily onto the forehand, rushing, collapsing into the next gait, falling into the next gait, or stepping beneath himself in full balance and self carriage.
The same can be said for a horse responding to a turning aid - they can fall in with their shoulder, fall out with the shoulder, fall out with the hind, overbent at the neck, tilt their head and be crooked, rush/fall through the turn, become heavy in the hands, slow down and be incapable of maintaining an even pace, counter bending, or they can have the correct flexion and bend with correct balance and self carriage.
Even halting - the horse can come up above the bit while hollowing the back, they can curl behind the bit and evade contact, they can run through contact, lean heavily into the hands with mouth agape, come to an eventual halt all disunited, or they can have energy into the downwards transition which allows them to stop in a balanced manner without falling, leaning or avoiding the bit.
The quality of movement is a direct result of the quality of riding and the ability to FEEL your horse. You cannot feel anything if you're holding the reins with a vice grip, with tension running though your whole body. Also, you cannot feel your horse if you have no rein contact at all.
One of the many components of correct riding is to be able to have a conversation with your horse through your hands, to feel what they say and be able to respond without sharp movements, "yelling" with the aids or imbalance.
This skill isn't taught as widely as it should be, and many riders simply don't seek to learn it, not realizing that they do themselves and their horses a disservice. Riding, for the most part, simply means sitting on a horse and telling it what to do.
Having a partnership with your horse, with two way communication is what we must all strive for, for the sake of our horses, and the sake of the future of this industry and community.
There is no deadline for correct riding, no time limit when you need to start by. It's not too late. But, before jumping head first into new methods on riding or working with your horse, first learn to train your eye to see what is and isn't quality movement, relaxation and willingness.