SESSION NUMBER THREE WITH THE ROAN WEANLING
A week ago during his first session he was really nervous about me getting close, and touching him brought up a lot of uncertainty. During session number three he came into the pen feeling much better. He even checked in with me in the larger space before I directed him into the enclosed area.
This short video demonstrates a change of thought. His mind and body come with me as I’m backing away. He has a lot more confidence in his decision to get close. Notice he is not just spinning his hindquarters to face up, but rather both eyes and the inside shoulder are committed to coming with me.
Softness comes from a horse being directable and mentally engaged.
Video: This Andalusian mare is in work to be started under saddle. I’m thrilled with how she is able to flow through her transitions by following the feel with her mind and body.
When a horse is carrying good feelings, they are able to go from one thing to the next without leaving or bracing. This lack of fluctuation in their emotional state, allows them to give their best from moment to moment.
I am very pleased with how this mare handled her first ride, as she expressed a quiet level of try and focus.
Ellie is a 3-year-old Arabian baby who has been on my training schedule once a week for the last few months. Her owner and I have contemplated on when to start riding her due to her physical immaturity. I have been addressing everything except for the riding during her sessions. I decided to have a short ride on her last week after feeling like she was ready.
My groundwork has been all about helping her stay connected, while teaching her how to follow a feel. I wanted to be sure that I could guide her through some balanced turns and lateral movements with bend. The value of teaching these things with fluidity instead of as individual exercises is that it adds a level of focus and the ability to interrupt her with minimal trouble.
Getting on a horse who is ready sets them up for a lifetime of success. If the first ride involves a high level of anxiety, they will carry that trouble when a rider gets on for some time to come.
Video: Ellie is able to follow the feel of my rein for some hindquarters yields, forehand yields and basic leg yields (without leg).
Paying attention a horses thoughts supersedes going through the motions of the exercises they know how to do. Having a higher level of focus allows for a calmer mind that is ready for a conversation.
Ellie is a sensitive, busy minded Arabian baby. In this video, I’m asking for a stronger connection between her thoughts and where I’m asking her to be. Notice towards the end, she gets more ready to follow me accurately with a centered and quiet mind. As a result, her inside shoulder goes with the direction of my steps.
The importance of a riders seat and leg to direct a horse is commonly emphasized in various disciplines. I take a modified approach from other schools of thought in that I want to gain the maximum amount of clarity from every feel that is applied to a horse. If the horse isn’t ready or doesn’t understand, I don’t use it yet.
So how can you test if your horse understands the leg as a directional aid? Use it independently from other means of pressure and observe how the horse responds. In my experience the majority of horses who have been ridden heavily with seat and leg, don’t understand it independently from the reins. In the majority of cases when the reins are dropped, the horse goes forward or wanders forward in one direction without a soft bend or a high level of clarity in the understanding.
In order to make our horses better, we have to understand what they actually know. This is always on a scale and often presents limitations depending on the level of clarity.
Video: Jennifer plays with introducing the inside leg to ask for a shift in the hind quarters. She approaches this by asking Chester to stand still on a loose rein and presenting the inside leg slightly back. If the he shifts forward or sideways, She uses the reins to block the forward with good timing, while releasing her leg for the inside hind to step under. She did this until he responded to a light touch and without needing the reins to block the forward. As this becomes more solidified, Jennifer and Chester will be able to go together more efficiently. It will be easier to ask for higher level movements, or subtle shifts in his body. He is trying really hard to search for the right answer, which is a credit to the hours of hard work they have put into developing a partnership.
A quiet mind allows a horse to become more available to try the things we present. When a horse goes into rapid fire anticipation mode I do my best to get them with me before asking them to do the thing that troubles them.
Daisy is a sensitive mare who can become reactive in a hurry. In this video, I’m helping her make a change in her trailer loading habits and emotions. When her anxiety fires, she flees by rushing out backwards. I work to interrupt her every step of the way to make sure she is centered and calm before proceeding to the next step.
It is really important that trailer loading is addressed one foot at a time. It builds the relationship, and promotes confidence and safety in the human and the horse. There are a lot of situations that horses can learn to anticipate in work on the ground or under saddle. Building connection over anticipation reduces anxiety and the behaviors that follow.
Video: Addressing the worry one step at a time has slowed Daisy’s mind, and allowed her to build some confidence in standing quietly in the trailer. She is close to being able to safely shut the door.
Her owner recognizes the importance of getting trailer loading really solid. It can be necessary in emergency cases and hauling out for further education. When something adds trouble to a horses life, it is worth addressing no matter how big or small.
There would be a lot less confusion in horses if humans brought clarity and softness to rein pressure. In an ideal world the reins would be something for a horse to soften into, and humans would have good enough mechanics to present whatever feel the horse requires at any given moment.
In this video I’m presenting a feel for Bandit to go with. I should be able to shift him laterally and influence the hindquarters and front quarters with an inside rein. If I put leg on at this stage in his training, it’s both at the same time to encourage him to search. He’s not in trouble if he doesn’t get it right, but he is responsible for putting out some effort and rearranging his own body. I won’t put him in a mechanical bind or nag him with my legs to move him or stop him from trying something. You can see him struggle to stay connected but he does put out an effort and begins to soften, rather than brace. The more clear this becomes, the less tension he will carry while learning to use his body with better function.
Get the dance going before you sit on your horse. Become aware of every thought, movement, or change in posture. Make it more like a comforting conversation that flows rather than a routine.
What do you look for in your dance?
Video: Luke is a fine dance partner. He has a lot of moves, but needs the most help in finding relaxation and a quiet focus.
Rhiannon is a 2-year-old Fresian who is being restarted on the ground. She spent a lot of time on stall rest after injuries and tolerated a lot of pressure in the beginnings of her training. This has caused her to shut down and become overly involved in the distractions around her as a way to disconnect from the trouble humans have caused.
When I first started working with her, the amount of pressure she would tolerate to hang on was appalling. Now that she is less shut down, it requires a lot less effort to get her to check in. At this stage it is really important that she actually sees the value in staying with people rather than doing it out of obedience. This means not getting too particular, and giving her more time when she’s trying something.
Video: Yesterday during her session I felt that she needed a different sort of job. Asking her to move the ball is simple and silly, but required her to focus and search for different ways to complete the task. This resulted in a more relaxed and engaged Rhiannon which is the ongoing desired result. This is a reminder to get creative in our horse work and to routinely step away from the mundane of what we want from our horses.
Selah is teaching Ellen how to master the Circling game.
Teaching a horse (or a mule) to come into pressure is one of the best things you can do for them. I'm always trying to consider what they are learning from the experience. Generally when horses are worked at liberty, there's a lot of moving the feet to yield obedience. When I tap my leg or put a feel on a horse, I want them to take an interest and come towards me.
I was thinking today about how equines develop triggers that become instilled in them as a response of desperation. One of the well-known methods in the horse world is to leave a halter and catch rope on for a period of time. Not only is it supposed to be teaching them how to respond to pressure, but it becomes easier for them to be caught by humans.
Video: Moscow Mule is a guy who has endured this method. When the pressure becomes too much for him to handle he bolts, and even the smallest of movements causes him worry. In his previous life he wore a catch rope, and has developed physical and emotional patterns to escape from people. He also has white hairs in spaces where the halter was too tight, and when he runs he holds his head close to perpendicular with his body. This is an old emotional pattern that saved him from coming into pressure from stepping on the rope. In this video, you can see how many feelings build up when the pressure comes on, resulting in him turning around and walking away before he becomes brave enough to step towards me. I address the worry at a level he can handle without exploding. Working with him is a combination of approach and retreat where I release for a subtle change in emotion before backing off and coming back in. The only way to fix the association is to prove to him over and over again that the feelings of pressure don't have to turn out badly. Working with an animal that is this convinced is a great reminder of how much a halter and lead rope are a gimmick and doesn't mean their mind and body are in the same place, unless we make it that way.
I want pressure to be something that changes my horses life for the better. It’s not just something to yield to, a drive to get away from, or a presence to respect.
If you’re doing it right it becomes a lot more than just pressure. It’s a smoothness in movement, a liveliness in energy, and a clear directional feel. It becomes a purposeful presence for the mind and body to follow.
Video: A short glimpse of a moment in training. Sheza has had 4 sessions of groundwork with me and has come a long way from where we started. She struggled to be on the end of the line without searching for every escape route.
Her mind was quiet enough today to help her find some lateral shifting in hand. She went from tossing her head, backing up and bracing to softly following a feel with me.