04/19/2024
Roundness refers to the arched head, neck and apparent dorsoventrally rounded body posture acquired by the horse in correct dressage training.
It is characterised by self-carriage where the horse has learned to persist in his speed, directional line, and head, neck and body posture without support from the rider.
However, roundness is frequently a forced response where the rider increases tension on the reins until the horse shortens its neck, or uses concurrent rein tension and leg pressures to ‘drive the horse onto the bit’.
Although this is contrary to the tenets of classical and ethical dressage, it provides the illusion of roundness and collection and is known as false collection.
Dressage experts, however, can readily perceive the incorrect outline, where the neck is shortened and the loins are hollow. The result is that the rider’s tight control on the reins to maintain this posture and the incorrect neck and back muscles involved prevent correct development of the topline.
There are significant welfare issues surrounding such training, which manifest in a raft of problems ranging from tension and conflict behaviours to wastage.
In correct training, the horse’s head should be suspended from his withers in self-carriage and the weight in the rider’s hands should be the weight of the reins and a light connection to the lips and tongue of the horse.
Such lightness is the putative goal of Baroque training styles and modern ethical training.
It is imperative that, from the horse’s viewpoint, pain is escapable and controllable, so lightness, of course, is important for the horse at every stage of training, and those methodologies that embrace correct roundness training and constant self-carriage are more correctly aligned with the correct application of learning theory than coercive methods.
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